50 pages 1 hour read

A Song to Drown Rivers

Fiction | Novel | Adult | Published in 2024

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Themes

The Dangers of Unquestioning Loyalty

In A Song to Drown Rivers, all the central characters willingly sacrifice for the sake of duty and loyalty, and they are all faced with disappointment in the end, many questioning whether their sacrifice was worth it. The two most extreme examples are the two ministers to the kings who are set in opposition to each other, Zixu and Fanli. Both give up everything for the cause of their kingdoms with little apparent hesitation. Fanli refuses to give in to his feelings for Xishi, and Zixu sacrifices his life when the king demands it. Both characters’ actions are seen as noble by their culture, and yet both despair at the end, realizing that their loyalty has been misplaced. Despite this revelation, they do their duty as it is demanded by their society. By juxtaposing these two ministers—on opposite sides of the conflict but each unfailingly loyal to an undeserving ruler—Jiang conveys the dangers of suspending individual judgment in favor of societal duty. 

At the beginning, Xishi herself has bought into her culture’s idea of the nobility of sacrifice. She sees and admires Fanli’s ability to remain detached, never wavering in his loyalty to the mission he’s vowed to undertake. This admiration begins to erode as her feelings toward him grow and as she slowly realizes the pointless suffering caused by war. When Xishi comes home to a hero’s welcome after the Yue kingdom has defeated the Wu, Zhengdan’s mother’s punctures the celebratory atmosphere by claiming forcefully that her daughter sacrificed her life for nothing. When Xishi reminds her that her husband also died fighting the Wu, Zhengdan’s mother says, “He was not killed by the Wu […] He was killed by the war. By the will of kings” (300). The lives of the common people are the same regardless of who is king. Zhengdan’s father believed that he was sacrificing himself for his people, but in reality, all this sacrifice only serves the ambitions of the powerful. 

Because Xishi’s position as a spy gives her intimate access to both working-class and elite spaces, the novel is able to show how entrenched these harmful notions of loyalty and duty are at every level of society. The peasant families of Zhengdan and Xishi sacrifice their family members without any qualms, and the ruling classes likewise sacrifice family and themselves. The only person who need not sacrifice himself for duty is King Fuchai. However, when he is faced with someone who is openly disloyal, his world breaks down. His enormous privilege has taught him to expect loyalty from everyone around him, and he chooses to die rather than live without this expectation. 

By highlighting the asymmetric nature of loyalty and sacrifice in A Song to Drown Rivers, Ann Liang is able to make a comment about the forces that keep society running and how, despite the negative consequences, people will adhere to them no matter what.

Beauty as a Source of Power

In A Song to Drown Rivers, beauty is a source of power for women in a deeply patriarchal environment in which most other forms of power are denied to them. The novel rejects the patriarchal tendency to diminish those who use beauty as opposed to more overt forms of power. In doing so, the novel offers an alternative way to understand the traditional stories of Xi Shi, in which she is often depicted as duplicitous or untrustworthy. 

Jiang narrates the story from Xishi’s first-person perspective, allowing this legendary figure to speak for herself and reclaim agency over her own story. Because one can hear her thoughts, Xishi’s reasons for taking the mission feel virtuous instead of selfish and greedy. Memories of her young sister’s brutal killing and images of her family and town suffering at the hands of the Wu justify her plot to get revenge . The use of beauty to gain power in this instance is logically and emotionally the most moral option for Xishi. If she were a man, she would be expected to go to war to avenge the Wu kingdom’s violence against her people. As a woman in a patriarchal society, she is not given the opportunity to train in combat or to hold official political power. In the face of these disadvantages, she has one advantage: Her beauty grants her access to spaces that would otherwise be off limits to her. 

Jiang emphasizes that beauty is not Xishi’s only asset. Beauty grants her an opportunity, but in order to take advantage of this opportunity, she must also show patience, diligence, cunning, and courage. Again, the first-person perspective makes it possible to see the struggle behind the power once she has it. Xishi must learn the elaborate rules of courtly etiquette to avoid exposing herself as a spy. She must keep her emotions masked at all times, carefully manipulating Fuchai while avoiding the innumerable small missteps that could lead instantly to her death. When she first feels the power of her beauty while seducing a man at a tea house in Chapter 6, she feels no pleasure but rather a wonder and dread of the super-human, snake-like abilities she seems to have gained. This wonder is very quickly followed by fear when she sees how desperately the man acts when she tries to leave.

Unlike military power, the power of beauty is most effective in a socially intimate context, requiring Xishi to develop relationships with her targets. As she gets to know King Fuchai, Xishi begins to feel empathy for him. While she never loves him, her guilt and increasing alarm at his affection for her grows and makes plain her humanity. She is not shallow or selfish, but sees what she is doing with guilt even while she desires revenge for her sister and people. Similarly, the internal struggle she has about using her beauty and the inevitable deaths that occur as the outcome prevents her from accepting the praise of her town, Fanli, and the country. When she returns to her village in Chapter 24, she can hardly participate in their celebration, and the only praise she craves is that of Fanli, who knows her underneath her beauty. Her bleak first-person observations, in which she concludes that her efforts were ultimately pointless, show a conscience struggle to reconcile the power that comes with her beauty. She is unable to see herself as a hero, hearing the praise but unable to feel the glory.

The Fruitless Destruction of War

Over the course of the novel, Xishi learns a hard lesson about the reality of war. As she begins her mission, she believes that she as an individual must do something to further the cause of her kingdom and enact revenge against the kingdom’s oppressors. By the novel’s end, she has adopted a completely different philosophy, believing that her individual contribution makes no difference in the larger scheme of things either for herself or her society as a whole. Amid the celebrations, Zhengdan’s mother expresses this theme: Wars are carried out to satisfy the ambitions of kings. In the lives of ordinary people, they bring nothing but grief. 

In the beginning, the memories of her sister’s death and the destruction of her village are fresh. The Wu soldiers are still present, often hurting and killing children and destroying property for fun. This creates a legitimate and strong sense of anger in Xishi. She blames the Wu as a people for her pain, and she believes that the appropriate response is to bring war on the Wu in retaliation. Zhengdan’s mother later explicitly rejects this framing when she says of her husband that “He was not killed by the Wu […] He was killed by the war. By the will of kings” (300). With this statement, Zhengdan’s mother reframes Xishi’s understanding of the political landscape: Her enemy is not the Wu, but the kings who oppress all common people, regardless of which kingdom they belong to. Moments later, the Yue king Goujian confirms this view by having Xishi killed. She has almost single-handedly saved his kingdom, but her success has only convinced him that she is a threat, and he rewards her with murder. 

Zhengdan’s rage against General Ma is another example of the destructive nature of war. Zhengdan’s rage and passion for revenge against General Ma is strong, righteous, and ends in apparent success. Though she humiliates him in combat and succeeds in holding a sword to his throat as she vowed to do, his political power is undiminished, and he simply assuages his bruised ego by having her killed. 

Fanli, too, pursues vengeance against the Wu for both personal and nationalistic reasons, but his dedication does not result in healing or satisfaction. By doggedly following his plan for revenge, he misses his opportunity for love and a happy life with Xishi. Even the kings aren’t immune to the negative effects of war. Fuchai voices how lonely he is and admits that the war he’s waged against the Yue has caused stress and anxiety, leaving him vulnerable to anyone able to give him comfort. Meanwhile, Goujian spends the rest of his days after victory paranoid and haunted by those he’s killed.

By the end of the novel, Xishi is persuaded that war and revenge are pointless, not only for individuals but for societies. She has seen humanity in the enemy, not only in Fuchai but also in those with economic backgrounds similar to her own. The maids and people in the streets of the Wu kingdom have had experiences of death and sadness similar to hers. The society she has seen as monstrous turns out to look very much like her own. She also sees the way the world goes on after Fuchai’s death and, after hearing her friend Zhengdan’s mother’s words, realizes that nothing has changed despite the king being killed. Society will continue, the only difference being the name of the king or the country. She experiences the twisted nature of her own King Goujian and realizes he is no better than what was believed of King Fuchai. The world will go on, and the individuals continue to suffer because of the violent ambitions of the powerful.

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