Ashlords

The Ashlords’ phoenix horses are not only the central magical mechanic that drives the action of Ashlords, but they are also deeply symbolic of Ashlord culture and to the novel’s protagonists, whose phoenixes and their rebirths symbolize different things for each of them. Imelda, like most Dividian, grew up poor and had very little access to phoenixes growing up. Instead, she used Ashlord holy days to ride rented phoenixes at Martial’s ranch. For Imelda, the phoenixes represent social mobility. Her skills with riding and alchemy are her chance to move up in a world that otherwise casts her as a second-class citizen. Imelda chooses esoteric rebirths with flashy effects, earning her the nickname of “the Alchemist.” These rebirths represent her creativity and skill as an alchemist.

While Adrian does not face the same hardships as Imelda, he, as a Longhand, is a member of a subjugated social class. Unlike Imelda, he did not grow up poor, and, like many in the Reach, he had plenty of experience riding. For Adrian, the phoenixes are merely a tool. Throughout the novel, he is never shown to have developed a connection with his horse. He and the other Longhands use the phoenixes as a means to an end, just as Adrian’s participation in the Races is an excuse to spark a revolution. Adrian’s rebirths tend to emphasize violence: The violent, carnivorous Ravenous rebirth and the hunting rebirth demonstrate Adrian’s offensive capabilities in a competition that is rigged against him.

Pippa is the most privileged of the trio. The daughter of Prama and Marcos, former champions of the Races, Pippa has racing in her blood. She has spent her whole life with her phoenix, developing a bond that endures between rebirths. For Pippa, the phoenixes represent her birthright. While Imelda excels in alchemy and Adrian is a gifted fighter, Pippa is the most well-rounded of the three, gifted in alchemy, fighting, and riding. She chooses rebirths that mirror her flashy public personality.