53 pages • 1 hour read
A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The novel’s point-of-view moves back to the Cause and Sportcoat. The afternoon of the brawl and the second near-miss with Earl (of whom he remains oblivious), Sportcoat sits alone in the boiler room where Hot Sausage works and drinks the homemade alcohol he and Sausage call “King Kong.” The apparition of Hettie reappears. They argue about the church’s Christmas money, with Hettie hinting through the clue, “It’s in God’s hands” (160), that it might be in the church’s back wall that has the mural of Jesus. Perhaps because the words on the church mural have been painted over, Sportcoat doesn’t understand the reference. He also reveals later to Sausage that he doesn’t trust the apparition because it is more combative with him than Hettie ever was in her life, so he disregards what the vision “tells” him. Hettie disappears, and Sausage shows up.
As they converse about Hettie, Sausage is working on the building’s generators, which are wired in a strange way and keep going dead. They go dead while Sportcoat and Sausage are sitting there, and Sportcoat instructs Sausage to hit a switch that only he knows about. Sausage is worried about being shocked, but Sportcoat says everything is grounded—except for a couple of loose wires that aren’t anywhere near Sausage. In the light from the hallway door exit sign, Sausage sees someone slip into the dark room and tries to warn Sportcoat, but Sportcoat is intent on fixing the electrical problem and ignores Sausage. Sausage turns on the switch and the lights come back on, but Earl—the third person who slipped into the room—is shocked badly from the loose wires and knocked out. He has a gun in his hand. Sportcoat and Sausage put him on a cart and move him out to the alley, where he comes to and staggers off on another task for Bunch, having been thwarted from attacking Sportcoat for the third time.
Elefante goes to the Bronx, and he and the Governor tour the bagel business that the Governor owns. Elefante’s daughter Melissa runs it, and the Elefante is immediately smitten with her when she comes into the Governor’s apartment. He runs into her again as he’s leaving the apartment, and they talk. Elefante’s attraction to her grows all the more. The three characters—Melissa, Elefante, and the Governor—are quickly forming a web of trust between them. Melissa trusts Elefante because her father trusts him. Elefante comes to trust the Governor because his own father trusted him. The Governor trusts Elefante because of his friendship with the elder Elefante.
Before he leaves, Elefante learns the story of the “Venus” from the Governor and agrees to help him. The Governor’s younger brother Macy was stationed in Vienna during World War II and had an eye for art and artifacts. After the war, Macy stayed on in Vienna and discovered a treasure trove of artifacts that were hidden from the Nazis, which he shipped home to himself. Shortly before he died, Macy showed the Governor the artifacts, most of which he kept for his own enjoyment. The Governor urged him to return them to Austria, which Macy did. There was a small, ancient statue of a woman—the Venus of Willendorf—that the Governor liked, however, that Macy held back. It was the most valuable thing in Macy’s collection. The Governor took the statue, and Elefante’s father hid it for him. The Governor was going to give him part of the proceeds from selling it back to its rightful owners, but he died before the two could get back in touch after prison. The Governor has recently been in touch with a dealer in Vienna who will come to the US to get the statue and pay $3 million for it.
The Governor is anxious to get the deal over with because he senses the dealer could threaten him or Melissa if there are any delays. Elefante checked all the storage units he could and didn’t find anything that looked like the Venus but promises to try and get access to more storage units. Before he leaves the Governor, the old man gives him a postcard that Elefante’s father sent him, hinting at the Venus’s location.
One of Deems’s friends who’s involved in the drug trade, Lightbulb, tells Bunch that Deems is getting too particular about who he sells to. Earl listens nearby. During the conversation, Lightbulb relates how Deems got his current territory—by crippling the drug dealer who had it before him in retaliation for a minor argument they had in a juvenile detention facility. Lightbulb asks for Deems’s old selling territory in the plaza in front of the Cause buildings, and Bunch says he’ll think about it. Lightbulb nervously walks the line between betraying Deems and staying loyal to Bunch.
Bunch wants to cut Deems out of the operation and have all the details worked out by the time Joe Peck’s big shipment of heroin (the one Peck asked Elefante about in Chapter 11) comes in. After Lightbulb leaves, Bunch tells Earl that a hit man they sometimes use, who lives in Virginia, is coming into the city to take care of Sportcoat because Earl’s own attempts have failed so far. Earl, who Potts has arrested several times, has agreed to work with the police as an informant on the drug circle and nervously hopes Bunch doesn’t find out about his betrayal.
Potts goes back to Five Ends and tells Sister Gee that someone followed her and Soup when they carried the unconscious Earl to the train station in Chapter 10, and that holding back passengers from boarding is a major offense, one that could be punishable. Potts tells her she should have called the police if she’d wanted to get rid of Earl but that the station shutdown will be “overlooked” by the police and transit authorities. Potts also tells her Earl has been arrested and urges her to stop protecting Sportcoat so the police can instead get him in their custody and protect him from retaliation. Potts believes that doing so will dampen the violence over Sportcoat’s action that threatens to erupt. Sister Gee asks why the police don’t just arrest Deems, because he’s the one who’s actually involved in the drug trade, and Potts replies that the drug ring is too powerful and wealthy and keeps bailing out its members who are arrested.
Through Earl, Potts has been informed about the hit man Bunch is bringing up from Virginia to send after Sportcoat, and he warns Sister Gee to tell the community to be vigilant. Because of his attraction to her, Potts wants the residents of the Cause—including her—to stay inside and away from the plaza to avoid getting caught up in the hit man’s violence. Sister Gee indignantly refuses to agree to the suggestion, and Potts begins to leave, dejected after what he feels is her rejection of him. Sensing her own attraction and afraid he won’t come back again, Sister Gee calls after him to return to the Cause and keep them updated on the case, even if it’s bad news. Feeling more hopeful after this encouragement, Potts leaves.
Sportcoat helps Mrs. Elefante with her gardening and plant searching. The two go out to a vacant lot to find pokeweed for Mrs. Elefante’s heart. An elderly woman, she’s slowing down and tired by the time they get back, so she instructs Sportcoat what to do with the plants they’ve gathered and goes upstairs to rest. On his way out when he’s done, Sportcoat runs into Elefante and the two talk for a few minutes. They formally introduce themselves to each other, and Sportcoat is awestruck to be talking to a real mobster. Elefante tries to pay Sportcoat for his work, but Sportcoat refuses the money—partially because he’s already been paid by Mrs. Elefante and partially because he’s grateful to Elefante for pulling Hettie’s body out of the harbor. Sportcoat offhandedly says, “I hope God holds you in the palm of His hand” (231), as he’s about to leave, one of Hettie’s farewells. Elefante questions him about the saying, and Sportcoat tells him about the mural at Five Ends. He leaves with a feeling of goodwill toward Elefante, mistaking the other man’s interest for religious inquiry.
The tensions within Deems’s drug circle threaten to erupt into violence that seems likely to threaten innocent Cause residents as well as those who are actually fighting. Lightbulb decides to turn against Deems by asking for his position while Deems recovers from the shooting wound. Earl has also committed a betrayal, secretly turning his back on Bunch by becoming a police informant. The allies from the beginning of the story are becoming increasingly fragmented, and their relationships are tenuous and volatile. This instability underscores Deems’s precarious situation when he places his trust and confidence in the drug trade, which makes Sportcoat’s attempt to dissuade him from that choice all the more urgent and understandable.
The foreshadowed connection between Elefante and Sportcoat deepens. The two men meet face-to-face, and their conversation makes Elefante realize that there might be a link between Sportcoat’s community and the elusive Venus statue. In this case, Sportcoat’s deceased wife Hettie is the bridging figure between the two groups, as Sportcoat uses a phrase he used to hear his wife say. This phrase is the “lightbulb” moment that makes Elefante consider whether Five Ends might have something to do with the Venus. Hettie further connects the two men because Sportcoat feels grateful to Elefante for having his men pull her body out of the harbor. This is one example of how female characters help maintain and create social connections between male characters who might not have spontaneously created those connections on their own.
Plus, gain access to 9,150+ more expert-written Study Guides.
Including features:
By James McBride
African American Literature
View Collection
Black History Month Reads
View Collection
Community
View Collection
Daughters & Sons
View Collection
Fathers
View Collection
Historical Fiction
View Collection
Mystery & Crime
View Collection
Oprah's Book Club Picks
View Collection
Popular Book Club Picks
View Collection
Poverty & Homelessness
View Collection
SuperSummary New Releases
View Collection