60 pages 2 hours read

Good Dirt

Fiction | Novel | Adult | Published in 2025

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Prologue-Part 1, Chapter 17Chapter Summaries & Analyses

Prologue Summary: “One Month Before”

Content Warning: This section of the guide includes discussion of graphic violence, racism, and child death.

Ebby’s brother, Baz, brings their parents into the study of their home on the Sound to show them how he has dressed up the family heirloom, an old jar they treat “like a member of the family” (4). They take a family photo.

Part 1, Chapter 1 Summary: “Shattered”

It is the year 2000. The next-door neighbors, who are in their garden, run to the Freeman home when they hear gunshots. They see the children’s bicycles in the yard and enter the house to hear Ebby crying. It is a “sound that could shatter a person’s heart” (8).

Part 1, Chapter 2 Summary: “At Least, This”

It is the year 2018. Ed and Soh Freeman are hopeful and touched as they wait for their daughter Ebby’s wedding to begin. They know that potential social challenges may await their daughter because she has chosen to marry Henry Pepper, a white man, but Ed hopes that, with Ebby’s family history, background, education, and other advantages, she will be well-equipped for success. Soh savors the details of the moment. She knows that Ebby plans to walk down the aisle while holding a picture of her brother, Baz, who would now be 33 if he had lived. They wonder why Henry and the rest of the Pepper family have not yet arrived.

Part 1, Chapter 3 Summary: “Small Favors”

In the aftermath of Henry’s failure to turn up at his own wedding, Ebby is glad that at least there are no wedding gifts to return; their guests donated to a charity. She doesn’t remember much after canceling her wedding until she returns to her own place, stunned.

Part 1, Chapter 4 Summary: “Ebby”

Eight months later, Ebby looks forward to her trip to France, where she will no longer be the subject of media scrutiny. “Ebby’s identity has been stamped by the award-winning photo of her at age ten” (13) and her image has been defined by Baz’s murder. Now she is also known as the woman who was jilted on her wedding day. Ebby is proud of her family’s long history as African Americans in New England, and she had been looking forward to traveling with Henry after their wedding. The night before her wedding, she woke up again to the nightmare of hearing the jar fall to the floor: an event that happened when her brother was killed. A therapist spoke to her once about the issues associated with complicated grief, and Ebby wonders if grief is ever uncomplicated.

Part 1, Chapter 5 Summary: “The Jar”

The jar was part of the Freeman family for six generations; they called it “Old Mo” because of the initials, “MO,” that were carved on it. Baz loved hearing stories of how their grandparents’ home in Massachusetts became a refuge for those fleeing enslavement. Gramps Freeman said the jar glowed with the colors of the earth it was made from and had its own spirit. The jar fell and broke when Baz was shot, and Ebby, who was 10 at the time, “understood that along with that piece of pottery, something else in her life was splitting apart” (18).

Part 1, Chapter 6 Summary: “Flight”

Ebby has never been far from her parents before and feels guilty leaving for France. She recalls going clamming with her father along the shore. Her parents are elegant and beautiful, but Ebby sees that they “are clinging to each other like two people trying to keep their footing on a bobbing life raft” (20). She boards the plane to France, relieved to be running away.

Part 1, Chapter 7 Summary: “Guesthouse”

Ebby, gardening at the house where she is staying in France, has no premonition of what is coming. She is tending the guesthouse for her friend, Hannah, a colleague from Ebby’s work. Ebby enjoys the solitude of this French village because “she’s never been able to shake the feeling of being observed by others” (23). Now that she is grown, people seem interested in her looks. For a while, she looked forward to a future with Henry. There are some things she hasn’t confided to her mother because she “didn’t want to burden her any further” (25). Abby’s friend Ashleigh told Ebby not to cut herself off or think of herself as a victim, but for the moment, Ebby just wants to feel invisible.

Part 1, Chapter 8 Summary: “Skidding”

Ebby first sees the woman who has arrived at the guesthouse, then realizes that the man accompanying her is Henry. Shocked, she slips and falls into the river.

Part 1, Chapter 9 Summary: “Henry”

Henry recognizes Ebby just as she falls into the water.

Part 1, Chapter 10 Summary: “Lucky”

It is the year 1999. Baz and Ebby play in the backyard at Grandma Bliss’s house. The house is often visited by tourists because of the family’s prominence. Their grandmother’s grandmother was one of the first African American female physicians in Massachusetts, and their grandmother belongs to the oldest Black sorority. Their grandfather, Lemuel Bliss, had served with the Tuskegee Airmen in World War II. Ebby and Baz have always been instructed to “watch their mouths and mind their manners” (32) because their family on both sides are known in Massachusetts. As a well-to-do family, they stand out in Connecticut as well. Ebby is the only African American in her class.

Part 1, Chapter 11 Summary: “Tumbling”

Back in 2019, the smell of the river reminds Ebby of Grandma Freeman’s house; “[g]ood dirt,” her grandmother called it (34). Henry helps Ebby out of the river, and she is embarrassed to face him.

Part 1, Chapter 12 Summary: “Clay”

It is the year 1803. In an African village, Kandia is one of the special women who makes pottery. When the people-hunters come, they kill Kandia’s husband, Mansa, and kidnap Kandia and her mother and sisters. Kandia wishes that she had the power to protect her people, but she focuses instead on protecting her growing child.

Part 1, Chapter 13 Summary: “If Only”

Back in 2019, Ebby faces Henry and his companion, Avery, who is attractive and confident. Ebby shows them the guesthouse and remains polite. When she returns to the house, she ignores the ringing phone and tries to gather her composure.

Part 1, Chapter 14 Summary: “Avery”

Avery is interested in psychology and knows about Ebby’s past. She wonders if Ebby, who currently has cherry-red hair, has been changing her hair color as a way to process her emotions. Avery has had a long-standing crush on Henry and knows that she will have to deal with his past with Ebby. She realizes that she will have to get Henry away from here.

Part 1, Chapter 15 Summary: “Henry”

Henry realizes that none of the qualities that attracted him to Ebby have changed. He recalls meeting her at a party and remembers how she charmed him. He was not initially aware of her traumatic past. He liked “that way she had of looking past everyone, as though she had something more interesting on her mind” (48). Later, he learned that her mother was a corporate attorney and that her father was an engineer who sold several patents; he also learned that nothing like the tragedy of her brother’s murder had ever before happened in their Connecticut town. Henry wasn’t prepared for how “thorny” life with Ebby would become, or for the degree to which the tragedy of Baz’s death marked her. Nowadays, Henry finds that Avery is far easier to be around than Ebby ever was.

Part 1, Chapter 16 Summary: “A Woman Scorned”

Dating Henry pulled Ebby back into the spotlight and made her realize that she “could not escape the mantle of misfortune that had settled over her” (52). After Henry failed to show up for their wedding, he texted her, asking if he could explain. Ebby ignored him and dyed her hair with cobalt blue tips. Hannah thinks that Ebby is better off because she didn’t marry Henry. In France, Ebby “could be someone else yet, somehow, still herself” (55). Grandma Bliss always taught her to hold the moment—to be aware of a beautiful moment as it is happening.

Part 1, Chapter 17 Summary: “Hold the Moment”

It is the year 1999. Grandma Bliss scolds Baz for saying “uh-huh” instead of “yes.” She reminds him that, as a young African American man, “[p]eople are always going to look for excuses to question [his] capacity to do things” (57). The Freeman children are instructed to speak “better,” walk straighter, be smarter, and be kinder. Grandma Bliss encourages them to write down one thing from each day of their visit that they want to remember. They would magnet these moments to the fridge.

Grandma Bliss was one of the few people who would talk about Baz to Ebby after he was killed. Ebby remembers how they planted a young maple in their yard the year before Grandpa Bliss and Baz both died. The tree grew, “and every autumn, its leaves still turned bright orange. Then the leaves would fall away, and the tree would seal off its branches to protect itself from the onslaught of winter” (61).

Prologue-Part 1, Chapter 17 Analysis

With the title of the Prologue, Wilkerson sets up Baz’s death as the central event and emotional anchor of the novel, but she also uses the Prologue as a moment of connection and joy for the Freeman family, revealing the book’s true focus not on tragedy, but on people’s ability to overcome devastating loss. In connection with this concept, the Prologue introduces Old Mo, the heirloom jar that essentially functions as a member of the Freeman family and symbolizes generations worth of history and accomplishments, beginning with the journey to freedom undertaken by the first Freeman. The damage sustained when the jar breaks during the robbery that results in Baz’s murder symbolizes the rupture in the family’s life and the shattering of their hearts: a pain from which Ed, Soh, and Ebby are still trying to recover. Because the murder remains unsolved and the family lacks any sense of closure or justice, Wilkerson uses these aspects of the novel to emphasize the importance of Persevering Despite Loss and Trauma, even if certain wounds never fully heal and some injustices are never set right.

All four female characters featured in these chapters share the sense of feeling constrained by their circumstances, whether literally or metaphorically. Kandia’s experience is the most deeply visceral version of this, for she is forcibly removed from her home and family. However, generations later, Ebby is similarly traumatized when she witnesses the brutal murder of her brother and finds her own life and outlook irreparably changed. The novel therefore makes a study of the effects of grief across multiple generations, examining the impact of memory on individuals and family units alike in order to highlight the many ways in which heartbreak can continue to resonate and motivate future choices.

Ebby also grapples directly with the fact that a person can become defined by trauma, whether they wish it or not. Ebby especially feels that she is scrutinized, speculated about, and defined as the girl whose brother was murdered, a sense confirmed by the lingering photograph of her 10-year-old self. Her arc in the novel therefore focuses on her own struggle to achieve Self-Definition as a Form of Empowerment, and this inner battle intensifies as she deals with the aftermath and lingering heartbreak of Henry’s betrayal.

As Wilkerson structures the narrative to weave back and forth through time, cycling through different points of view, this approach addresses the novel’s central questions and themes from many different angles, highlighting The Obligations of Family Legacy. Often, a theme or emotion that arises in the present-day plotline will spark a memory that provides a concrete link to descriptions of an earlier moment in history, and in this way, the author thematically links the experiences of different Freeman family members across time. In many instances, the memories of the past provide insights for those who are contending with new struggles in the present day. For example, memories of joyful times with Baz and Grandma Bliss give Ebby the courage to face the humiliation of encountering the errant Henry in her place of refuge in France. This layering and circularity also deliberately mimics the physical motions required to shape a clay jar, and in this way, the Freeman family’s history echoes the way that Old Mo would have been formed on the potter’s wheel.

As the Freeman family’s history unfolds, Wilkerson’s prose provides a wealth of small details and metaphors to intensify the verisimilitude of the novel’s various settings and imbue each scene with deeper emotional meaning. Specifically, the image of the maple tree closes this section with an evocative metaphor of resilience, and the author often uses key details of setting to create a more vivid portrayal of the natural world and anchor central characters within the scene. In this example, the cycle of the thriving maple’s growth and decline throughout the year offers a symbol for several movements of the book, such as Ebby’s process of dealing with and recovering from heartbreak, the family’s entrapment in grief over Baz’s death, and the harsh reality that Kandia faces after being stolen from her homeland. While these various plots all begin in the winter season, a setting that symbolizes deaths, endings, and losses, the remainder of the novel will explore the new growth that is possible in many different contexts, both literal and figurative. Within this context, Kandia’s skill at pottery likewise becomes a metaphor for dignity, power, creativity, and personhood, for she must confront, in the starkest terms, the struggle that the modern-day characters face: how to preserve the inward spark and passion for life even when surrounded by grief and loss.

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