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Content Warning: This section of the guide includes discussion of death and gender discrimination.
H gifts George a print of a vintage photo of two French film stars. At H’s suggestion, the girls sneak into the local multi-story carpark, where H pushes George around in an abandoned trolley. They get caught and scolded by a security guard, but H manages to talk him down, and they ride back home together on H’s bike. H bonds with Henry over silly word games, and that night George has the first restful sleep she’s had in a long time.
H visits again a short while later so that she and George can revise their schoolwork together. She joins George in Carol’s study. George introduces H to the magazine article that prompted her mother’s interest in Francesco del Cossa. Also in the study is a framed Subvert listing names of female art students, which George’s feminist mother put together after learning of the many systemic obstacles women face as aspiring artists. George tells H of her mother’s suspicions that she was being monitored by the government, and contrary to George’s expectations, H agrees that this is a real possibility. H then confesses that she has romantic feelings for George, and George freezes up, uncertain as to whether she returns the sentiment.
While discussing the possibility of government surveillance with H, George recalls a conversation on the subject with her mother while they were in Italy. Carol made friends with a woman named Lisa Goliard after a chance meeting, developed strong quasi-romantic feelings for her, and then pulled away when she became suspicious that Lisa might be a government plant monitoring her. Lisa claimed to be a maker of custom books, but although Carol visited her workshop, she never saw her work, and she later learned from the workshop’s owner that Lisa never actually rented the space. The two women shared many interests, Lisa was always happy to listen to Carol talk about her life, and they once shared a passionate kiss. Carol confessed her minor infidelity to her husband, who was characteristically unperturbed. She had already begun to suspect Lisa of duplicitous motives when George learned of the potential threat to her family and interceded. She stole her mother’s phone and sent a text to Lisa pretending to be Carol, telling her to back off and not contact her again. George was eaten up by guilt for her transgression and eventually confessed to her mother, who found the situation hilarious and filled George in on the suspicions that already led her to begin severing ties with Lisa.
Since her mother’s death, George has been having sessions with the school counselor, Mrs. Rock. They spend almost the entirety of one meeting in silence when George refuses to be the first one to speak. George eventually asks permission to send a text, which Mrs. Rock allows only after escorting George off school grounds so as to technically avoid breaking any rules. To Mrs. Rock’s surprise, the text (concerning Latin temporal adverbs) goes undelivered, as the number no longer exists. Soon after, H barely talks to George all day in school even though they’re supposed to be working together on a joint project. That evening, however, H confesses that her family will soon be moving to Denmark, a revelation that upsets both girls, though H promises to keep in touch. They consider making Francesco del Cossa the subject of their project on empathy, but after some research decide that the paucity of information available about him makes it an untenable idea.
This chapter focuses on the developing relationship between George and H. In many ways, their coming together functions as a coming-of-age journey for George, as she discovers new facets of her personality through H, grapples with overpowering emotions, and learns anew how to let other people into her world. Throughout their interactions, H is the one to take the initiative and reach out to George. She is the more outgoing and active of the two, especially as George’s grief at the loss of her mother has led her to close herself off to others. Even as George isolates herself in her room, H seems determined to keep George in her life. Whereas George is uncertain of her own feelings, or even her own capacity to feel romantic love, H seems already settled in herself, confident enough to put herself out there fearlessly. Although she has helped George to heal and cope with her grief, her imminent departure transfers the onus of George’s further healing back onto George, setting her up for the self-led character development in the next chapter. Multiple times throughout this part, George and H play with language together. Their easy back and forth, witticisms, and playful use of translations symbolizes the closeness and cohesiveness of their personalities.
Like the previous chapter, this section includes flashbacks and asides intermingled with the present-tense narrative. Unlike the previous chapter, the present-tense narrative in this chapter covers multiple scenes over several days and weeks, showing George in numerous situations and contexts. The theme of The Impact of Grief on Personality remains prominent in this chapter. George is still deeply affected by grief, preoccupied with memories of her mother, and uncomfortable with her own emotions. She is hostile toward the counselor Mrs. Rock and uncooperative with her attempts at therapy. George’s preoccupation with 1960s pop culture and the artist Francesco del Cossa shows that she is still clinging to any threads of connection between herself and her mother, not yet ready to move on and reestablish her own identity outside of her loss.
This section pays particular attention to the character of Carol, George’s mother, providing more details about the work she did and her political convictions. Carol’s dedication to calling out corruption among the powerful, and her determination to draw attention to gender inequality, are key to the theme of Everyday Resistance to Injustice. Carol did not uproot her life in the name of revolution, but she took every opportunity to make her point of view heard—for instance calling out a politician in public by writing in lipstick on a window. These traits are the reason that she and George both believe that she was under surveillance. George worries that H will dismiss her suspicions as far-fetched, but H’s long and sarcastic monologue about the commonplace violations of privacy in the modern surveillance state highlights the very real possibility that Carol was right. The fact that the reader and characters can never know for certain either way communicates the theme of Ambiguity as an Inescapable Feature of Life. With Carol’s death, many aspects of her life became unknowable. George, like the reader, can only speculate based on the available information.
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