60 pages 2 hours read

If We Were Villains

Fiction | Novel | Adult | Published in 2017

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Act IV, Prologue-Act IV, Scene 6Act Summaries & Analyses

Act IV, Prologue Summary

In the present day, Oliver and Colborne visit the docks. The area looks smaller than what Oliver remembers. Colborne tells Oliver tourists often steal Oliver and his friends’ things from the castle out of morbid fascination. He asks Oliver if he blames Shakespeare for some part of the tragedy that befell the fourth-years. Oliver says, “I blame him for all of it” (296). For four years, the friends were immersed in the dramatic, emotionally charged world of Shakespeare’s characters, channeling extreme emotions like love, jealousy, and anguish. As good actors, they didn’t just speak Shakespeare’s lines, but felt them. Their feelings grew so intense that they all went off the rails. Even Richard was under Shakespeare’s spell.

Act IV, Scene 1 Summary

Oliver returns to Ohio for Christmas break. Caroline’s health has taken a turn for the worse. Overwhelmed, Oliver decides to leave home. He goes to Manhattan to be with Meredith. Meredith’s parents, her older brother, and her sister-in-law are in Canada. Her other brother, Caleb, is busy with work, so Oliver and Meredith have the apartment largely to themselves. Oliver notes Meredith has decorated her dressing mirror with photo and memorabilia of the fourth-years. He realizes Meredith thinks of all of them as family. Oliver and Meredith begin a romantic relationship. Only a few months are left until they leave Dellecher. Talent scouts will soon be visiting the castle. The one big thing left for the fourth-years is the Spring performance.

Act IV, Scene 2 Summary

The play to be performed is King Lear, to everyone’s surprise. Lear has never been attempted at Dellecher because its protagonist is far too old for the youthful actors to convincingly portray. It is unknown how Frederick and Gwendolyn will address this problem. The fourth-years begin auditioning for the play; James choosing an uncharacteristically aggressive speech. Oliver reflects James has been wanting to break free of playing the good guy for a while now, and that he probably wants to be cast in a negative role this time.

The cast list is put up. Lear’s part is to be played by Frederick while Camilo has been cast as the Duke of Albany, the husband of Lear’s oldest daughter Goneril. The other bits of unusual casting are James as Edmund, the scheming main villain and Oliver as Edgar, his kind and heroic half-brother. The girls have been cast as usual: Wren as the youngest good daughter Cordelia, and Filipa as middle daughter Goneril. Although the casting should herald excitement, the friends are all lethargic and preoccupied. Oliver can’t fathom why Frederick has been cast with the students. He suspects it may be to keep an eye on them, since the faculty may think the fourth-years are cracking under pressure.

Act IV, Scene 3 Summary

Richard’s loss hangs heavy in the air as the students begin rehearsing King Lear. Oliver often has nightmares featuring Richard, as do James, Meredith, and Wren. Oliver tries to distract himself with learning his lines and cleaning the castle. One day, he finds a scrap of burnt white fabric hidden in the fireplace. It is stained a deep red at one end, perhaps with wine or blood. Oliver hides the scrap, thinking it may have something to do with Richard’s death. Just then, Colborne wanders into the castle. Colborne asks Oliver about Dellecher. When Oliver describes the rush of performing, Colborne points out that it sounds very much like addiction. Colborne keeps revisiting the castle because he cannot square all their testimonies together. Oliver reminds him life is not a mathematical equation. Their testimonies may seem contradictory because everyone experiences events subjectively. Colborne tells Oliver he likes him. He asks him to keep an eye for anything unusual while cleaning. Oliver doesn’t tell Colborne about the scrap.

Act IV, Scene 4 Summary

Giving Colborne a head start, Oliver goes over to the FAB. Under the theatre and halls is a large undercroft crammed with old props and furniture. Oliver gets into the undercroft and hides the scrap in an old, rusty locker. He reminds himself that the red mark might not even be blood, and bids himself to stay sane. He boards the locker with an old table and leaves the undercroft.

Act IV, Scene 5 Summary

In combat class, Camilo directs a fight sequence between Oliver and James, showing them the specific blocking that they must perform during mock fights. Initially, the mood is playful, but soon James starts getting carried away with the emotion of his lines. Edgar is the legitimate son of the Earl of Gloucester, while Edmund, his scheming half-brother is Gloucester’s son from an affair. While Edgar’s character is good and kindly, the dispossessed Edmund wants to get rid of his half-brother and father to become the Earl himself. At the end of the play, Edgar and Edmund duel, and Edgar defeats Edmund.

As James and Oliver spar during rehearsal, James, as Edmund, smashes Oliver across the face. Oliver’s mouth fills up with blood. Camillo yells at James to get out. Oliver is taken to the infirmary.

Act IV, Scene 6 Summary

Oliver’s nose has been broken. Gwendolyn and Frederick request Oliver to publicly say it was an accident. Back at the castle, Alexander commiserates with Oliver. They discuss how James has become increasingly moody, disappearing from the castle for long stretches. Alexander suspects James is getting too deep into the role. Alexander hands Oliver a joint to dull his pain. Oliver walks outside to smoke when Meredith meets him and leads him to her room.

Act IV, Prologue-Act IV, Scene 6 Analysis

In this section, the brief interlude of peace following Thanksgiving is broken. The cracks that had begun to appear after Richard’s death make the group “really shatter” when they are all back together after Christmas break (299). As they prepare for King Lear, an air of impending doom again grips the air. Just like the run-up to Macbeth and Caesar wound them up, the preparation for Lear begins to affect them adversely too.

 

Notably, Oliver decides to spend the holidays with Meredith. He notes that with Meredith he no longer dreads the phantom of Richard, but inexplicably, James. Oliver subconsciously feels he is betraying James by sleeping with Meredith, but remains in denial about his feelings for James. The scenes with Meredith present a more well-rounded version of her than previously. Until this point, Oliver’s narration of Meredith centers around her beauty and sex appeal. However, he now sees her—the only, neglected daughter of wealthy parents—as vulnerable and isolated. Even with this new perspective, he can't convey his emotions to Meredith: “Unable (as always) to find the words to express my own belated understanding, I said nothing” (303). Oliver’s treatment of Meredith also remains self-centered. Tellingly he calls her “the only cure I could think of” (307).

The King Lear announcement and its unusual casting unleashes a fresh series of problems. The narrative parallels the movement in Act I, but this time it is James, rather than Richard, who begins to unravel. The target of his ire is Oliver. The factors contributing to James’s violent streak are many: his guilt over Richard, his immersion in Edmund’s negative character, his frustration over Oliver’s indecision, and his desire to be the hero of the group. Even before Richard’s death, there was suppressed tension over the real hero among the fourth-years: was it the tyrant-king Richard, or the romantic hero James? Now it seems James wants to inhabit both his and Richard’s roles, cracking in the process.

King Lear (1606), a tragedy considered Shakespeare’s most heartbreaking, has a particularly grim plot. Lear was not performed on the stage for centuries because it was considered too bleak for audiences. Similarly, Lear has also not been performed at Dellecher, though for different reasons. The very fact that Lear is being planned for Spring is therefore a bad omen. In the play, Lear, the old king of England, tries to determine which of his three daughters—Goneril, Regan, and Cordelia—loves him the most before he divides his kingdom between them. Goneril and Regan both flatter him, but Cordelia, the youngest and Lear's favorite, gives an honest answer that enrages Lear. Though he disowns her, he quickly regrets it; as Goneril and Regan mistreat him, he loses his grip on reality. Leaving the palace, he encounters the Earl of Gloucester, who has been tricked by Edmund, his illegitimate son, into believing his legitimate heir, Edgar, is trying to kill him. By the end of the play, all but Edgar have died tragically.

Ironically, Edmund—played by James at Dellecher—disagrees with concept of fate over choice; this contrasts with James's quoting of Hamlet back in Act III, Scene 9. This, along with Edmund's villainy, hints at the changes happening within James. Devoured by guilt and immersed in his role, James is consumed by destructive behavior. Notably, in Lear, Edgar kills Edmund. Once again, the play foreshadows the fate of the friends. Although Oliver does not kill James himself, Oliver's decision to falsely confess to Richard's murder takes a heavy toll on James, who eventually dies by suicide.

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