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Content Warning: This section of the guide contains descriptions of enslavement, emotional abuse, graphic violence, torture, mutilation, and bodily injury.
Eragon is the protagonist of Christopher Paolini’s Inheritance Cycle. He is a human teenager who was raised on his uncle’s farm with his cousin Roran. After becoming bonded to Saphira, a Dragon, Eragon became a Dragon Rider and came to represent a new hope for the rebellion against the tyrannical King Galbatorix. Over the course of the series, Eragon and Saphira encounter challenges, train, and grow together until they finally defeat Galbatorix at the end of Inheritance.
At the beginning of the novel, Eragon struggles to live up to the Varden’s expectations of him. Although he has become a powerful magician and warrior, Eragon is still young and inexperienced and finds himself overwhelmed by the responsibilities of being a leader. He also dreads confronting his enemy, Galbatorix, who is much older and more powerful. Eragon is characterized as smart, kind, and thoughtful, and he is driven by a deep sense of justice and morality. Despite his self-doubts, he eventually learns to embrace his strengths and accept his shortcomings through introspection, which is symbolized by his acceptance of his true name.
At the end of the book, Eragon defeats Galbatorix not by force or skill, but by showing the king the consequences of his actions on others. With this unique tactic, Eragon’s characteristic empathy becomes his main strength as he transforms it into a subversive weapon against The Ruinous Effects of Tyranny. Notably, he also shies away from the prospect of stepping into the vacuum of power left after his enemy’s demise, and rather than taking the throne or remaining active in the realm’s politics, he decides to retire from Alagaësia in order to avoid being corrupted by his power. Instead, Eragon embraces The Importance of Balancing Power with Service and dedicates his life to raising a new generation of Dragons and Riders and working toward a more hopeful, constructive future.
Saphira is Eragon’s Dragon. In Paolini’s universe, Dragons are sentient beings who are capable of telepathic communication and convey a blend of language and impressions. Saphira is bonded to Eragon, and the two experience a near-constant mingling of thought. Saphira has bright blue scales, and although she is vain about her appearance, her intelligence and kindness shine through in all of her interactions. Her vanity often arises just before a battle, as she always makes sure that she is clean and well-groomed. Although Paolini’s description of this character flaw does rely upon simplistic stereotypes of “feminine” behavior, he also strives to create a strong impression of Saphira’s unique and isolated position as one of the last of the Dragons. As the narrative states:
She knew it was vanity on her part, but she did not care. No other race could match the grandeur of the dragons. Also, she was the last female of her kind, and she wanted those who saw her to marvel at her appearance and to remember her well, so if dragons were to vanish forevermore, two-legs would continue to speak of them with the proper respect, awe, and wonder (317).
However, after experiencing years of despair at the idea that Dragonkind is ultimately doomed, Saphira is elated to discover the surviving eggs hidden on Vroengard. At the end of the book, she mates with Fírnen, Arya’s newly hatched Dragon. Afterward, although she is sad to leave Fírnen, she goes with Eragon to raise the young Dragons away from Alagaësia, commenting optimistically to Eragon: “We are not alone, little one” (849).
Galbatorix is the main antagonist in Paolini’s Inheritance Cycle. Although he is mentioned throughout the series, Inheritance is the first book in which he appears directly. At first, Galbatorix is only referred to through rumors, second-hand descriptions, and various accounts of his actions. He has the reputation of a cruel, ruthless, and tyrannical ruler. As a Rider, Galbatorix is nearly immortal and he is well-versed in magic and combat alike. Over the centuries, he has increased his power through corrupt means, mainly by binding Dragons’ Eldunarí to his will. As a result, he can manipulate almost everyone, and he consolidates his power base by making his servants swear enchanted oaths of fealty. For example, during some of the battles against the Varden, Galbatorix casts spells on his soldiers, enchanting them so that they cannot feel pain and will therefore become a more formidable force.
Galbatorix is first introduced directly after he abducts Nasuada, whom he intends to sway to his cause. In these moments, even Nasuada grudgingly acknowledges the power of his charisma, noting his “low, rich, and commanding” voice, which “wash[es] over her like warm waves of water, caressing her, beguiling her, binding her” (419). She therefore recognizes that the very tone of his voice is perilously geared toward the corruption of others, and he goes on to embody The Ruinous Effects of Tyranny in a far more personalized form when he forces Murtagh to torture her and then casts illusions to manipulate her emotions.
Paradoxically, Galbatorix attempts to defend his tyranny by claiming that he is motivated by a desire for justice. As he explains: “Magic is the great injustice in the world. It would not be so unfair if the ability only occurred among those who were weak […] but […] [t]he strong are just as likely to be able to use magic, and they gain more from it besides” (446). He uses this rationale to justify his decision to control magic by using the name of all names, which is a powerful way to counter any magic spell. However, in reality, the use of this technique merely grants him absolute power, and he chooses not to acknowledge the harm that his oppressive rule has caused for centuries. Eragon eventually forces Galbatorix to recognize his own hypocrisy when the young Rider shows the king the consequences of his actions on other people. Unable to bear the weight of this knowledge, Galbatorix is eventually killed by the spell’s magic.
Nasuada is the leader of the Varden, the rebel alliance that fights openly against Galbatorix. The Varden alliance consists of humans, Elves, Dwarves, Urgals, and Werecats. Nasuada is a young Black woman whose strength, resilience, and innate understanding of strategy render her a highly effective and dynamic leader. She is a friend to Eragon and Saphira, who have both sworn fealty to her, but she does not refrain from admonishing them whenever she disagrees with their actions or opinions.
While leading the Varden toward Urû’baen, the capital city of Alagaësia where Galbatorix resides, Nasuada is abducted by Murtagh and Thorn. As the Varden advance toward the city, Nasuada is tortured by Galbatorix, who uses nefarious but unsuccessful strategies to try to convince her to switch sides. However, Nasuada resists him thanks to her resilience and strength of will, along with the bond that she develops with Murtagh. At the end of the series, Nasuada’s confidence and growth is symbolized by her claim to the throne, as demonstrated when she declares, “I believe I can make a good queen. […] [A]s with everything I have done while leading the Varden—I believe it is what is best for our people and for the whole of Alagaësia” (753). She is eventually crowned and becomes the High Queen of Alagaësia, and Eragon notes that she is especially well-suited to the role.
Arya is an Elf princess who works with the Varden as an ambassador on behalf of her mother, Queen Islanzadí, who rules as the Elven monarch. Strong and practical, Arya is a skilled warrior and magician. Although she is technically Eragon’s romantic interest, she is over a century older than he is, and she does not want to be in a relationship with Eragon. However, they do become close friends, and she often acts as his confidant—so much so that when Eragon discovers his true name, he wants to share it with Arya as a gesture of unconditional trust and friendship.
After the battle in Urû’baen, during which Queen Islanzadí is killed, Arya returns to Ellesméra, the Elven realm. She is chosen by her people to be their new ruler, and she also becomes a Rider when Galbatorix’s last Dragon egg hatches for her. Bonding with the young Dragon, she names him Fírnen. Because of her new responsibilities as a sovereign and a Rider, she declines Eragon’s offer to accompany him on his journey away from Alagaësia. Ultimately, they part as close friends and allies.
Murtagh is a Rider whose Dragon is named Thorn, and they are magically bound to Galbatorix’s service. After growing up in Galbatorix’s court as the son of Morzan, a Rider who betrayed his peers to the tyrant, Murtagh escaped Urû’baen during the events of Eldest. After joining Eragon and the Varden and struggling to prove himself worthy of their trust, Murtagh is abducted by Galbatorix and magically forced to serve him. At the beginning of Inheritance, Murtagh is furious at his enslavement to Galbatorix but cannot resist the king’s will. At the same time, he resents Eragon’s popularity among the Varden. Murtagh and Eragon are half-brothers; they are both the sons of a woman named Selena, although Eragon is Brom’s son rather than Morzan’s. Throughout the series, Murtagh serves as a foil to Eragon: an anti-hero who represents the corruptive and destructive path that Eragon might have taken under different circumstances.
Murtagh forms a relationship with Nasuada while she is imprisoned, and he then sets out to free her as a way to regain his own agency. Nasuada encourages Murtagh to resist Galbatorix in spite of the cost, insisting that it is the moral thing to do. By changing his mindset, Murtagh changes himself enough that he disrupts Galbatorix’s spell and regains control of himself. He then plays an instrumental role in helping Eragon and his companions to defeat Galbatorix. At the end of the series, Eragon and Murtagh part on ambiguous terms, with Eragon offering a gesture of friendship and Murtagh declining to stay. As Murtagh explains, “Thorn and I need time alone; we need time to heal. If we stay, we’d be too busy to figure things out for ourselves” (735). Murtagh and Thorn’s story then resumes in Paolini’s spin-off novel, Murtagh, which was published in 2023.
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By Christopher Paolini