74 pages 2 hours read

Kiss the Girls

Fiction | Novel | Adult | Published in 1995

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Part 4Chapter Summaries & Analyses

Part 4: “Twinning”

Part 4, Chapter 76 Summary

Content Warning: This section of the guide includes discussion of racism, gender discrimination, sexual violence, rape, child abuse, graphic violence, illness, death, physical abuse, emotional abuse, and cursing.

Casanova blasts the rock group the Black Crowes and orders the women into the common room. On her way there, Naomi speaks with a woman she calls Green Eyes. The woman’s real name is Kirsten Miles, and Kristen believes they must work together to escape. In the living room, Anna Miller’s body twirls around in circles from the ceiling beams. Her lips are purple and blue, and her eyes express horror.

Part 4, Chapter 77 Summary

The Gentleman Caller’s father was an army colonel and stubborn “asshole” who abused him. Nevertheless, the Gentleman Caller excelled in high school as a student and athlete. He then graduated with “high honors” from Duke’s medical school. Now, the Gentleman Caller is a “human monster.”

On the run, the Gentleman Caller stops in Arizona to prey on a woman, Juliette Montgomery. Once her husband leaves, the Gentleman Caller invades her home. He removes her underwear and cuts her with a cleaver.

Part 4, Chapter 78 Summary

Back in her North Carolina apartment, Kate considers her “crush” on Cross and their compatibility. She’s an assertive “white woman,” and he’s a determined “black man.” Cross makes her happy.

Kate admits that she’s not fine, but she doesn’t want to worry people. Her house scares her, and she hears creepy noises. She feels like she’s in an Alfred Hitchcock movie, and she has visions of Casanova. At seven o’clock in the morning, Cross calls: He claims he was in Casanova’s house.

Part 4, Chapter 79 Summary

Cross thinks Dr. Wick Sachs is Casanova, and he jokingly believes he’s the first Black person to enter Sachs’s affluent estate without wearing worker overalls. Sachs’s house confirms Cross’s contention that monsters can live anywhere and everywhere. Cross believes there’s an “epidemic” of monsters in the US. Breaking a small window in a door, he enters Sach’s house.

Part 4, Chapter 80 Summary

In Sachs’s basement, there’s a heavy door that leads to the furnace room, which contains another door that leads to a room filled with pornographic and erotic literature. A few of the titles focus on the exploits of the real Casanova.

Cross wonders where Sachs keeps the girls. He considers Sachs’s wife—who’s a nurse—and Sachs’s two children. Cross wants to hurt Sachs, but he hears a noise, so he leaves and returns to his hotel.

Part 4, Chapter 81 Summary

Cross and Kate surveil Sachs. They watch him get the newspaper from his porch and read the headline about Casanova. He takes his two kids to school but skips his tutorial at 10 o’clock. Cross wonders if he’s going to visit the captive women.

Part 4, Chapter 82 Summary

Cross and Kate follow Sachs in his Jaguar near the University of North Carolina campus. Kate says Sachs looks like Casanova: They share the same hair color. The FBI believes Sachs and Rudolph were classmates at Duke, but Cross can’t say for sure when the “twinning” occurred.

Sachs stops in front of a retro movie theater. He stands near the signs for the missing women, and Cross thinks Sachs is engaging in “mind games.” Another poster encourages people to change their attitude and help women and children who can’t afford food. Cross thinks this is another subliminal message.

Part 4, Chapter 83 Summary

Sachs meets Suzanne Wellesley—an English professor whom the students call Runaround Sue due to her alleged number of sexual partners. Cross says they could make a similar joke about Sachs. Suzanne and Sachs kiss and then go inside and watch the Italian comedy Johnny Stecchino.

Part 4, Chapter 84 Summary

Kate dresses up for dinner with Cross. She believes they’re each too scared of becoming attached again. Cross remembers Maria and how much he loved her. Kate fears loss and dying of cancer like her sisters.

Cross tries to convince Kate to stay at a hotel, but she insists on her apartment. Cross calls her “stubborn” and joins her. They drink wine and kiss. Cross stays over, and they sleep in the same bed, but they don’t have sex. Cross says they’re “best friends.”

Part 4, Chapter 85 Summary

Naomi has visions of Cross killing Casanova. She also speculates that Casanova has been caught since she hasn’t seen him for days. Gathering her courage, she calls out for Kirsten, who replies. Naomi thinks they and the other women should attack him at once. Suddenly, Rudolph appears in her room.

Part 4, Chapter 86 Summary

Cross has Dr. Louis Freed help him locate the so-called “disappearing house.” Freed taught Seth Samuel, and Freed’s area of expertise is the Civil War and the Underground Railroad—a network of places that helped Black people escape the South’s system of enslavement.

People in Chapel Hill seem fearful, reminding Cross of the way people act in New York City and Washington, DC. Sampson returns to North Carolina, and they discuss Casanova as a “territorial” killer like New York City’s Son of Sam. Cross admits that he’s unsure that Sachs is Casanova. Suddenly, a Chapel Hill police officer aims their gun at Sampson and Cross.

Part 4, Chapter 87 Summary

Sampson is angered and amused by the racist police officer and his partner. Cross tries to explain, but the police officer curses at him. Cross screams who he is before he and Sampson disarm the police officer and his partner. One of the officers tries to explain their actions, but Sampson silences them. Sampson is proud of how quickly they neutralized the police officers and believes the officers give him an “edge.”

Part 4, Chapter 88 Summary

Sampson and Cross talk to Lowell at the faculty gym, where Whitney Houston plays. Lowell says Sachs is known as Doctor Dirt, but he has tenure and has never faced serious accusations like murder and abduction. Lowell mentions the murders of Roe Tierney and Tom Hutchinson. Sachs was an undergraduate at the time, but authorities cleared him.

Part 4, Chapter 89 Summary

Casanova worries Cross and the police are getting too close to him. He doesn’t want to become a “territorial” killer and thinks about going to New York, Florida, or Europe with Rudolph. Nevertheless, Casanova is happy that Rudolph is back in North Carolina.

After parking in an area for doctors, Casanova walks through the Duke University Medical Center, and some of the doctors and nurses smile at him. The narrator doesn’t say what Casanova does in the hospital, but once he leaves it, he plans to visit Kate.

Part 4, Chapter 90 Summary

Casanova won’t let Rudolph wander the streets. Rudolph remembers his lonely childhood and meeting Casanova, who appeared in Rudolph’s dorm room early in the morning. Casanova knew Rudolph killed Roe and Thomas, and he was sure Rudolph would get away with it. Casanova confessed to Rudolph that he had killed people, too. He believed that he and Rudolph had much in common. In the present, Rudolph drives to Kate’s house, and he sees two Black men standing on the porch.

Part 4, Chapter 91 Summary

Cross introduces Sampson to Kate, and the three discuss the case. Kate links it to an essay she read on masculine desire. The work argues that contemporary society represses men. Kate believes Rudolph and Sachs reject society by demonstrating their masculinity to the extreme. Sampson thinks Kate should stay at a hotel, but Kate won’t let the killers scare her from her home. At the hotel, Cross calls Craig, who assures him that Sachs is asleep.

Part 4, Chapter 92 Summary

After Cross and Sampson leave, Kate checks the locks on the windows and doors. She still feels like she’s in a Hitchcock movie, and she also wishes Cross was holding her. After speaking to God, she falls asleep. She doesn’t hear “him” enter her house.

Part 4, Chapter 93 Summary

Kate now hears a noise and sits up at the edge of her bed. When she sees the outline of a body, she attacks him, and he falls. However, someone else hits her in the back. She realizes there are two people in her room.

Part 4, Chapter 94 Summary

Kate hears two men: Casanova and Rudolph. Casanova says Rudolph shouldn’t be here, and Rudolph says he should be here because he doesn’t care about Kate. Relenting, Casanova asks what Rudolph wants to do with Kate. Rudolph wants to eat her. The men laugh. Rudolph mentions that he bought Kate flowers, causing them to laugh again. As they brutally assault her, Kate passes out.

Part 4, Chapter 95 Summary

Shaking and crying, Cross drives to Kate’s house. He feels out of control—like he’s not behaving like a professional. Outside Kate’s home there are TV trucks, police, and EMS vehicles. Casanova has brought “madness” and “chaos” to Chapel Hill.

Part 4, Chapter 96 Summary

While walking toward Kate’s house, Cross yells at members of the media. Kyle tells Cross that Kate isn’t doing well, but she’s alive. Kyle confirms that Sachs was at home during the attack.

Cross convinces an EMS doctor to let him ride in the ambulance. The doctor believes Kate “tricked” her attackers into thinking she was dead. Cross realizes that Rudolph and Casanova are now working together.

Part 4, Chapter 97 Summary

The FBI and Durham police question Sachs. Ruskin claims they don’t have any incriminating information; he thinks the chief of police is just being an “asshole.” Kyle claims they discovered that Sachs owns an escort service. At the very least, Sachs will now have problems with the IRS. Though Sampson tries to dissuade him, Cross insists on questioning Sachs.

Part 4, Chapter 98 Summary

Sachs notes that he has no history of violence. Cross mentions his “erotic book” collection, which Sachs defends as a way to understand Western culture’s “fantasy life.” Sachs hasn’t broken any laws, but Cross broke a law by entering his home without a warrant.

Cross notes Sachs’s relationships with students. Sachs says the relationships are consensual and healthy. He helps free them from their inhibitions. Triggered, Cross attacks Sachs. He realizes Sachs isn’t strong, so he’s not Casanova.

Part 4, Chapter 99 Summary

Sampson and Cross have dinner, and Cross tells Sampson that he’s as comfortable around Kate as he was around Maria. Cross’s beeper interrupts the dinner. Cross calls Kyle, who says they’re arresting Sachs for Casanova’s crimes. Kyle claims they have physical evidence. The FBI and the Durham police will arrest him together.

Sampson and Cross drive to Sachs’s house, and Kyle says the local police surprised them. Due to political pressure, the chief of police chose to arrest Sachs. Kyle is suspicious. The police received an anonymous tip and searched Sachs’s house with dogs. They found women’s clothes hidden in the house, including one of Kate’s shirts. Cross is livid at the Durham police. He thinks they have the “wrong man” and put fame before justice.

Part 4, Chapter 100 Summary

The Durham police chief, Robby Hatfield, looks like he could’ve played football. Cross wonders if he’s Casanova. As Ruskin and Sikes joke around, Hatfield thanks Cross for his support. Cross tells Hatfield that Sachs isn’t Casanova, but Hatfield only smiles condescendingly. Sachs is sweating and softly declares his innocence. Cross thinks of Sachs as a victim. Casanova set him up, and whoever called in the tip is Casanova.

Part 4, Chapter 101 Summary

Casanova informs the seven abducted women that the authorities have captured Casanova, who turned out to be a “crazed” Duke professor. The Gentleman Caller is with Casanova, and he touches Naomi before moving on to a woman named Christa. Christa tries to smile, but she can’t, and the Gentleman Caller likes her fearful eyes.

Part 4 Analysis

Part 4 centers on deception—both in the pursuit of justice and in the manipulation of power. Cross is fairly sure that Sachs is Casanova, which creates a red herring. Unlike some of the other police officers and FBI agents, Cross is credible, so his certainty suggests that Sachs is indeed Casanova. Cross admits, “I wanted to hurt Dr. Wick Sachs. I hated him beyond anything I could have imagined” (518). This reaction demonstrates how personal the case has become for Cross, his sense of duty entangled with his emotions. His hatred for Sachs isn’t just about the crimes—it’s about the idea of someone like Sachs existing at all, a man who hides behind power and privilege while perpetuating harm. By the end of Part 4, Cross gets his chance to “hurt” Sachs, and he does. The assault causes Cross to realize that he hasn’t solved the mystery. Sachs isn’t a strong fighter like Casanova, so he’s not Casanova. The Durham police extend the drama by arresting Sachs anyway. With Sachs taking the fall for Casanova, the true Casanova can continue to prey on women, and the story, lacking a resolution, must go on. This moment not only maintains suspense but also critiques the justice system’s tendency to prioritize convenient answers over actual truth, showing how easily law enforcement can be manipulated into false victories.

Cross’s obsessive pursuit of Casanova mirrors the killers’ own psychological games, challenging his moral boundaries. He can be stubborn and obsessive. While spying on Sachs at the movie theater, he believes Sachs is sending him messages, suggesting that Cross is becoming paranoid. If Casanova wanted to contact Cross, he would do so more directly, like with the odalisque postcard he sent him in Chapter 24. Cross’s paranoia suggests a psychological cost to the case—his need for control over the narrative begins to mirror Casanova’s own manipulations, albeit in vastly different contexts. Cross also breaks the law multiple times, searching Sachs’s house without a warrant and attacking him at the station. The latter episode qualifies as police brutality. Though Sachs isn’t Casanova, he has a history of sexual relationships with students, which connects him to grooming. While Sachs is not a great person, Cross’s coarse treatment of Sachs reinforces his loss of control. Cross admits that he’s not acting properly, “Somewhere, at some time during the past few years, I had stopped behaving like a professional police detective” (611). This moment of introspection marks a turning point for Cross, as he begins to question whether his relentless pursuit of justice has led him to cross ethical boundaries, making him more like his enemies than he’d care to admit. From Cross’s perspective, he hasn’t been conducting himself appropriately for the entire book. His introspection here is crucial—it not only humanizes him but also forces the reader to consider whether righteousness can justify ethical lapses, particularly when pursuing true evil.

Kate, like Cross, struggles to maintain control—but her resilience is marked by physical and emotional endurance. She, too, is stubborn. Though her apartment reminds her of a scary Alfred Hitchcock movie, she insists on staying there. This refusal to leave is a testament to The Resilience of Women, but also an example of how trauma can lead victims to take unnecessary risks to reclaim power. Her determination to not let Casanova and Rudolph displace her leads to precarity, as both men invade her home and nearly kill her. Though the characters and story present her as a superwoman who seems to be able to survive just about anything, she has flaws, and one of her weaknesses almost gets her killed again. Patterson complicates Kate’s characterization by allowing her to make mistakes rather than presenting her as an infallible heroine. Unlike Cross, whose struggle is with his own moral code, Kate’s struggle is about asserting agency in an environment designed to strip it away. Even in captivity, she remains fiercely independent, choosing to resist Casanova’s psychological control as much as his physical dominance.

The women in captivity mirror Kate’s resilience, highlighting the power of collective survival. While Casanova and Rudolph terrorize their victims individually, the women—led by Naomi and Kristen—begin to strategize together. Naomi’s conversation with Kristen, or Green Eyes, shows the first signs of solidarity, a stark contrast to Casanova’s psychological manipulation, which thrives on isolation. Naomi believes, “They must work together and escape” (492). This shift in thinking signals an important idea: Survival is not just about personal strength but also about the ability to form alliances. Casanova’s control depends on his victims feeling alone, but by finding ways to communicate through the walls of their cells, the women reclaim some of their agency.

The motif of twinning supports the theme of Toxic Masculinity Versus Positive Masculinity. As “twins,” Casanova and Rudolph encourage each other’s brutality. After they invade Kate’s home, they join forces to abuse her. The narrator writes, “They were hunting together again. No one could stop them” (608). Their odiousness impacts Cross, who gradually starts showing adverse traits. Just as Casanova and Rudolph reinforce each other's worst impulses, Cross’s obsessive pursuit of them threatens to push him into an increasingly violent and unstable mindset. Cross isn’t overtly “twinning” with Casanova and Rudolph, but as he’s trying to capture them, he’s competing with them. His extensive pursuit of them has, however unintentionally, created a bond. This raises the unsettling question of whether prolonged exposure to darkness inevitably stains even the most moral individuals.

Sachs’s collection of pornographic material complicates The Lurid Culture of Trauma in the US. Many of the titles tie together sex and violence, like “The Hymen. A Medico-Legal Study in Rape” (518). Yet Sachs didn’t create the pornography, nor is it exclusively an American product. The content features nuns in Madrid and dancers in Berlin, indicating that a fair amount of Western culture has a preoccupation with sensational and/or violent sexuality. Patterson implies that the dehumanization of women is not just an individual pathology but a societal affliction, nurtured through academia, media, and cultural taboos that fetishize domination. The inclusion of this detail suggests that Casanova and Rudolph are not aberrations, but rather extreme manifestations of a larger, more insidious issue—one where violence against women is not just tolerated but commodified.

Part 4 deepens the novel’s psychological complexity by exploring the ways in which obsession—whether it manifests as law enforcement’s pursuit of justice or criminals’ pursuit of power—can blur moral boundaries. Cross’s increasing frustration and recklessness suggest that no one, not even the most principled individual, is immune to the corrupting effects of violence. Kate’s resilience is further tested, showing that survival is not just about physical strength but also about navigating the emotional and mental scars left behind. Meanwhile, the false resolution surrounding Sachs serves as a commentary on how institutions often prioritize closure over accuracy, an idea that resonates beyond the novel’s world. As the real Casanova remains at large, the story reiterates that evil is not just about individual monsters but about the systems and ideologies that allow them to flourish. More than ever, it becomes clear that fighting back—whether through law enforcement, personal resistance, or collective defiance—comes at a cost.

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