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For Lewis, Christianity’s assertion of the reality of miracles is not an account of random divine interpositions strewn haphazardly into the ordered system of nature; rather, the whole account of Christian miracles through the ages is centered on one singular miracle. That miracle is the incarnation—the Christian term for the doctrine which says that God became man in the person of Jesus Christ. Every other miracle, both those which occurred historically before the incarnation and those which came after, were oriented towards this centrally important miracle. “There is no question in Christianity of arbitrary interferences just scattered about. It relates not a series of disconnected raids on Nature but the various steps of a strategically coherent invasion” (173). Every miracle is connected to the narrative of God becoming man for the redemption of humanity, either in preparation for that event or in witness to it. The story of the incarnation is what pulls together into a single narrative the otherwise disparate parts of the grand story of God and humanity.
Lewis also deals with the way that the broad outlines of the story of Jesus—descent and ascent, dying and rising again—are also features of many mythological nature-gods throughout the ancient world. While acknowledging that to be the case—and noting that one would actually expect to find nothing else if the true God had woven the divine plan into creation’s patterns—Lewis also points out the many ways that Jesus’s story bucks the expectations of that mythological pattern. The God portrayed through Jesus is a Creator-God but not a mythical nature-god that dies and arises like the crops each year; his story is played out in the particularity of historical events and in a culture that put no stock whatsoever in the old nature-myths of the peoples around them.
Lewis then goes on to point out more features of how Jesus Christ’s story of redeeming humanity by vicarious sacrifice fulfills the patterns of nature even while shattering natural expectations. Even the natural realities of shame and death—which are both part of natural human experience and yet, at the same time, somewhat inexplicable on a naturalistic account—find their fulfillment in the story in Jesus. Ultimately, Lewis asserts, the work of Jesus Christ in saving humanity by his own death resounds not only to the good of humans themselves, but echoes out toward the redemption of all nature. The whole story of nature finds its coherence in Christ: “In science we have been reading only the notes to a poem; in Christianity we find the poem itself” (212).
Lewis continues his assessment of miracles in Christianity by dividing them into two classes: miracles of the Old Creation and miracles of the New Creation. Both categories rest on a fundamental argument: that in Christianity, all the miracles are simply local and particular manifestations of what God has already done on a broad scale, or of what God will do in the consummation of the divine plan. They are not aberrations or exceptions, but rather sketches-in-miniature of the grander work being painted. Those miracles which manifest patterns of God’s works already accomplished are called miracles of the Old Creation; those which relate to divine acts yet to come are called miracles of the New Creation.
For the miracles of the Old Creation, Lewis focuses mostly on the biblical accounts of Jesus’s own miracles, such as turning water into wine, multiplying loaves and fish for the crowd to eat, and healing the sick. These, says Lewis, are all things that God is at work doing anyway—using natural elements and processes to turn water into wine (through the agency of soil, grapes, etc.), turning out crops of grain and schools of fish in multiplying numbers each year, and using the body’s natural processes to bring about healing in many cases. This doesn’t make what Jesus does any less miraculous, but it does show that his miracles are not mere magic tricks or aberrations by which Jesus is short-circuiting nature by sleight of hand. In Lewis’s view, Jesus’s miracles are little portraits of the grander works which God is always doing.
Lewis ascribes miracles of renewal to the category of miracles of the New Creation, all of which are focused on one miracle in particular: the resurrection of Jesus Christ from the dead. Lewis defends the biblical accounts against the work of modern critics who attempt to make the resurrection story a myth-making addition to the gospels by later generations of Christians, pointing out the clear biblical evidence that the resurrection was itself the very first form of the Christian message, as it came from the lips of those who claimed to have witnessed it. The resurrection does not contain any of the mythologized elements one would expect: it is not connected in its source documents to any of the old death-and-rebirth cycles of nature which underlay some other ancient religions, is not a spiritualized or ghostly account, and it strikes the reader in its strangeness as the story of witnesses grappling with how to tell of the confounding experience they’ve had. In theological terms, the resurrection was an entirely new event, the foundation of a brand new work which God was beginning to do in the world, and the crowning capstone of the work of Christ. “It is at this point that awe and trembling fall upon us as we read the records. If the story is false, it is at least a much stranger story than we expected […]. If the story is true, then a wholly new mode of being has arisen in the universe” (241).
Some of Jesus’s historical miracles point forward to the truth of the resurrection and the wild, nature-turned-upside-down flavor of its narrative, so Lewis includes the miracles of Jesus walking on water, raising Lazarus from the dead, and undergoing his transfiguration as being in the category of miracles of the New Creation. The New Creation signified in the resurrection encompasses the full healing of our disordered existence, in which spirit and nature are so often opposed in us. Resurrection points toward the overcoming of even those aspects of our existence—like death—which, while now entirely natural to us, strike our spirits as something tragic and unfair. In the Christian conception, all these sentiments of the way the world ought to be will find their fulfillment in the realization of the fullness of every joy—both spiritual and natural—a consummation made possible by the redemption wrought in the death and resurrection of Jesus Christ.
In this short final chapter, Lewis addresses his readers directly, advising them to be on their guard as they study further on the subject. Those who are reading books to learn more about the Bible and Christianity will encounter many, even some written by clergy, which are nonetheless pervaded by naturalistic assumptions that cast doubt on the place of miracles. Lewis reminds his readers, then, to be watchful for the fallacies he has outlined—those which describe miracles as impossible, improbable, or improper. He also encourages them to remember that they, too, have grown up in a cultural milieu that has granted them an instinctive naturalistic sense, over against the supernatural. As such, some will continue to feel an emotional weight against the notion of miracles, but emotions are not the same things as facts, and Lewis urges his readers to be careful about such things.
The closing section of the book (excluding the two short appendices in which Lewis addresses technical theological concerns) brings his argument to the full height of its apologetic dimensions: a robust and impassioned depiction of the meaningfulness of Christianity, miracles included.
The chapters in this section vary considerably in length, with Chapter 14 being the book’s longest and Chapter 17 being relatively short. Just as Chapter 1 is effectively an introduction, Chapter 17 would likely not stand as a numbered chapter under later publishing conventions—it would be, rather, exactly what Lewis titles it: an epilogue. On the whole, though, this section features several very long chapters, which speaks to the thoroughness of Lewis’s presentation of the apologetic case for Christianity.
The theme of The Incarnation of Jesus Christ as Central to All Miracles is dominant throughout this section, and especially in Chapter 14. While Lewis still touches on the other major themes of the book, the balance has shifted almost entirely from polemics to apologetics at this point, and so Lewis is most concerned with making his affirmative case for Christianity. In Lewis’s view, all other miracles found in the bible point toward the central miracle that gives the whole biblical story its meaning: the entrance of God into the world in the person of Jesus Christ.
This miracle of the incarnation makes all other miracles coherent. In prior sections, while addressing Cultural Bias as the Root of the Modern Objection to Supernaturalism, Lewis has argued that the modern rejection of miracles is largely a matter of aesthetic taste rather than logic: Miracles violate the harmonious system of nature and are thus regarded as ugly or vulgar. Here, Lewis shows that, far from violating the coherent system of nature, miracles form a coherent narrative system of their own. None are haphazard or out of place; all bear witness to the power of God and draw attention to the grand story of his redemption of humanity through the death and resurrection of Christ. In Lewis’s view, without the incarnation as a real miracle—not a myth or an allegory or a fantasy, but a real in-breaking of divine power into the natural order of our universe—the whole message of Christianity would crumble. It is the one element of the religion’s core story that makes the entire narrative hold together, and so for Lewis, authentic Christianity is always a matter of believing in miracles.
In this last set of chapters, Lewis’s customary usage of vivid analogies rises to its highest pitch. In Christian circles, Lewis’s books are noted for the way they rise up at the end into a symphonic cascade of images and elegant expressions depicting the almost unbearable beauty of the hope and joy that awaits the fulfillment of the Christian message. Here in Miracles, as in many other works (like The Great Divorce and The Last Battle), Lewis’s writing takes on a mystical and eschatological flavor by the end. It is mystical in that it attempts to capture the sense of an experience that is almost entirely beyond the power of words to express or of thought to conceive, and it is eschatological in that it looks toward the ultimate consummation of God’s story of redemption (what, in popular parlance, one might call heaven). Despite the difficulty of putting such things into words, Lewis’s use of analogies continues to do him service here, enabling him to explain the radiance of heaven by comparison to ordinary things like chocolates, sex, and horses. For this reason, as well as the way his books combine profound theology with easy accessibility, Lewis is widely regarded as one of the greatest Christian writers of the 20th century.
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By C. S. Lewis