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As Gawain begins his journey, he first meets a group of knights who tell him about a tournament happening nearby, part of a challenge issued by Meliant de Lis against Sir Tiebaut of Tintagel. Meliant was a squire in Tiebaut’s household and fell in love with Tiebaut’s oldest daughter, who demanded that he become a knight and win in tournament against her father before she could consent to be his. The nobles attached to Tiebaut, however, feared that the tournament could usher in the fall of the castle’s entire power structure, and urged Tiebaut not to undertake the tournament himself, but to send out other knights willing to ride for the defense of the household.
At first Gawain encamps nearby, not intending to get caught up in the affair, but he is soon noticed by the inhabitants of the town, who reproach him for not riding in Tiebaut’s defense. He is also noticed by Tiebaut’s younger daughter, who publicly compares him favorably against Meliant. Her older sister takes this as an affront and beats her. Meanwhile, Gawain resists all attempts to persuade him to enter the fray in defense of the household against Meliant, feeling that his quest to address Guinganbresil’s charge of treason takes priority. The younger daughter, however, seeks him out and pleads for him to ride in her defense, against the abuse she received at her sister’s hands. To this, Gawain must concede:
God grant me aid
I think, for such a little maid
she’s spoken with such dignity
I never could refuse her plea
So, as she wishes, I will fight
tomorrow and will be her knight (5376-80).
The next day, Gawain rides in the tournament and defeats Meliant in direct combat, thus defending the younger daughter’s honor against her sister and winning victory for Tiebaut’s cause.
Gawain continues his journey, hoping to absolve himself of the charge Guinganbresil made against him. Along the way, Gawain meets a young nobleman in a hunting party in the woods, who sends Gawain (whose identity is not yet revealed) to his castle as a guest, to be welcomed by his sister. At this point, neither the nobleman nor Gawain realize the truth of the situation—the former is the young king of Escavalon, whose house is seeking Gawain for the death of the former king.
Gawain arrives at the city, still not realizing where he is, and is welcomed by the young king’s sister, and the two quickly become romantically infatuated with each other. The situation shifts when a nobleman stumbles upon the two sharing a kiss, and he recognizes Gawain: “The man you’re kissing, next to you / has killed your father” (5862-63). The princess does not abandon her affection for Gawain, but instead shelters him in a tower in the castle wall, and the townspeople raise a riot against them. Using a chessboard as a shield, the knight staves off the initial assault, but neither his efforts nor the princess’s appeals can sway the crowd from their violence.
While the tower is being besieged, the knight Guinganbresil arrives and realizes what has happened. Although the household bears a charge against Gawain, they have also extended him the welcome of a guest, which requires them to defend him against the mob. Guinganbresil finds the young king returning from his hunt and explains the situation to him:
I have accused Gawain of treason
as you know with no need of proof
You welcomed him beneath your roof
and you gave lodgings to the knight
so it is reasonable and right
that, as your house guest since he came
he should not come to harm or shame (6064-70).
Guinganbresil proposes a solution: they will get the mob to stand down and, for the sake of fulfilling the chivalric demands of a host to a guest, give Gawain a year’s reprieve before facing the challenge of his charge. In the meantime, however, Gawain must pledge to undertake a quest for the house of Escavalon by seeking out the mystical bleeding lance before returning to clear his name. He agrees, though the quest is thought by all to be practically impossible, essentially intended as an extended punishment for Gawain.
The narrative shifts back to Perceval for a single scene, in which Chrétien conveys that the young knight has undertaken five years of wandering and quests (with no explanation for how this fits into the timeline of Gawain’s single year of adventures). During that time Perceval has forgotten most of what went before, including his obligation to Christian piety. Nonetheless, he has spent those years having adventures, defeating opponents, and sending them back as prisoners to King Arthur’s court.
He comes across three knights and 10 ladies, who admonish him that he should be observing the tradition of laying down his arms that day, as it is Good Friday:
‘Don’t you hold Jesus Christ in awe
the One who wrote down the New Law
and gave this law to Christian men?
It is not good or righteous, then,
but very wrong,’ he testified,
‘to bear arms on the day Christ died’ (6255-60).
After explaining the tenets of the Christian faith to Perceval, the knights and ladies tell him that they have just come from the abode of a holy hermit, to whom they went to make confession. The passage includes a brief passage of violent antisemitic rhetoric directed against the Jews who were involved in Jesus’s crucifixion, as was unfortunately commonplace in some types of medieval Catholic writing.
Inspired by this, Perceval sets out to find the hermit and, having found him, confesses his forgetfulness of God. The hermit enquires about the root of Perceval’s sense of sinfulness, and Perceval tells him the story of his failure to inquire about the bleeding lance and the grail which he saw at the Fisher King’s castle. At this, the hermit surmises Perceval’s identity and reveals the hidden family connections that lie behind Perceval’s adventures. The hermit himself is Perceval’s uncle, the brother of his mother, and the man who was being served in the inner room by the grail was yet another brother of the family—who also happens to be the Fisher King’s father—a holy recluse subsiding only on consecrated communion wafers borne by the grail.
The hermit tells Perceval that the sin of abandoning his mother to her death is what lay at the root of his failure to ask the appropriate questions at the Fisher King’s castle, and he proposes a penance: to submit himself to Christian worship every day, and to live to give assistance to those in need of his strength:
Love God, believe in God, arise
and worship God time and again;
respect good women and good men;
when priests are in your presence, stand
…………………………………
If any woman seeks your aid
a widow, orphan, or a maid
assist her, and you will do well (6458-67).
Perceval repents of his sins, agrees to live by the hermit’s penance, and stays with him until Easter.
This section provides the opening sequence of Gawain’s adventures, while also returning briefly to Perceval to relate the episode at the hermit’s abode. Gawain’s stories appear to follow a similar trajectory to Perceval’s, evident in the sequences of castles they each visit.
Perceval’s adventures begin at a castle where the thematic focus is on knighthood (Gornemant’s castle), followed by one in which he finds a love interest and must rise to the challenge of a siege (Blancheflor’s castle). Similarly, Gawain begins with a castle where the thematic focus is on knighthood (Tiebaut’s castle) and then goes to another where he finds a love interest and is besieged in a tower (Escavalon). The pattern continues in subsequent sections, as both Perceval and Gawain encounter a third castle with mystical, otherworldly qualities (the Fisher King’s castle for Perceval, and Queen Ygerne’s castle for Gawain). In addition to the mirrored literary structure of the narrative, this pattern also brings forward the symbolic role of castles once again, serving as signposts in the story to represent each new episodic adventure (See: Symbols & Motifs).
Chrétien’s theme on Chivalry and the Meaning of Knighthood is also prominent in this section. While Perceval’s stories show a promising knight who is still struggling to learn the rules of chivalry, in Gawain we see an experienced knight who is already entirely faithful to the chivalric code of honor. This is evident, for example, in the story of the tournament at Tiebaut’s castle. Gawain initially resists all attempts to persuade him to join the tournament, and he is fully in his rights to do so. However, as soon as a woman (Tiebaut’s younger daughter) makes the same request of him to assist her in her circumstances, Gawain agrees, since one of the central precepts of knightly chivalry is to fulfill a lady’s requests, especially one who is in special need of assistance.
Gawain’s steadfast adherence to chivalry does not guarantee a smooth pathway for him, however—much as Perceval’s mother had explained in the poem’s opening scenes, knights are characterized not only by their chivalry, but by the fact that they face misfortunes and challenges wherever they go. Further, the theme of chivalry is so apparent in these sections that it appears not only as a feature of Gawain’s character, but also of his enemies. Despite the fact that Gawain is charged with treason, the king and leading knight of Escavalon decide that they must honor their obligations to him as their guest, even though that means delaying the execution of their charge against him.
The interruption of Perceval’s scene at this point may appear strange, since Gawain’s narrative proceeds smoothly on thereafter, and Perceval’s own narrative arc in the first half of the poem faced no such interruptions. Regardless of its placement, the scene provides an important further resolution to Perceval’s character arc. It returns to the emphasis on Christian piety which was underscored both by his mother and by Gornemant, and for the first time it shows Perceval as a character who is capable of honest and critical self-assessment. Never before has he shown any understanding or emotional depth regarding his failures, but here he breaks down into tears, confesses his sinfulness, and experiences the possibility of repentance and spiritual healing. Further, the scene is important because it elucidates more of the mystery of the Fisher King, providing an answer to the question that Perceval had failed to ask and thus offering a partial conclusion to his third quest through Knowledge as the Key to Healing and Growth.
When Perceval discovers what the answer to the healing question would have been—that the grail bore a consecrated communion wafer for the Fisher King’s father, who also happens to be one of Perceval’s uncles—the answer is part of a series of revelations, including a long instruction on the story of the Christian gospel, which all bring Perceval to a moment of spiritual restoration. It is striking that the answer to the healing question becomes part of Perceval’s story of healing, enabling an understanding and acknowledgement of his sin. There is an unexpected irony here, in that the only episode of healing or blessing associated with the grail comes to Perceval rather than to the Fisher King, though the promise of potential healing had always been applied to the latter.
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By Chrétien De Troyes