51 pages 1 hour read

Shred Sisters

Fiction | Novel | Adult | Published in 2024

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Symbols & Motifs

Country Clubs and Class Aspirations

Content Warning: This section of the guide contains discussion of mental illness.

While the Shred family does not spend an inordinate amount of time at the Running Brook Country Club, it becomes emblematic not only of the sisters’ differences—Ollie dislikes the country club for its rules and protocols, whereas Amy finds comfort in its rituals, highlighting the Sisters as Opposites and Mirror Images—but also of the Shreds’ class aspirations. They are not extremely wealthy, though they are privileged, making their way into the upper middle class by dint of Dad’s growing home design business. This motif of money and status explores the expectations surrounding socioeconomic status at a certain time and place (white, wealthy, late-20th-century circles), as well as the concomitant desire to belong.

Ollie chafes against these expectations until later in life. As a teenager, she “start[s] shopping at Goodwill and thrift shops” (24), expressly motivated by a desire to unsettle her mother, who “[cannot] understand why anyone would buy used clothes when they could afford new ones” (24). In this way, Ollie protests against her mother’s middle-class values. For Amy, in contrast, social striving becomes a way she can fit in—something that does not come easily to her. At private school to which she is sent, its “ivy-covered brick buildings, the quad where kids play[] hacky sack, [and] the clusters of study groups dotting the perimeter” are indicators of “a miniature college” (66), as Mom puts it. The fact that Amy thrives here (and that her parents can afford its fees) seems to imply that she belongs there, although the novel will later highlight what Amy has lost in her quest for conventional “success” (marriage, a prestigious career, etc.). The school also stands in stark contrast to the hospital where Ollie is sent around the same time, further highlighting the sisters’ differences.

Other indicators of class pepper the narrative. Dad lives in a gated community down in Florida after he remarries, and he and his wife both drive BMWs. Ollie steals from high-end retail stores, rather than chains; later, Ollie lives in Beverly Hills in a small mansion replete with servants. Amy herself occupies a rarefied world of privilege when she marries Marc, an up-and-coming lawyer: Their engagement party is held at the Princeton Club, and the couple is showered with gifts, “many in Tiffany’s robin’s-egg-blue boxes” (158). This class consciousness serves to both highlight the privilege that the Shred family enjoys and expose why they become so bewildered by Ollie’s mental illness. It is a problem that cannot be solved with money.

The Almost Time

This phrase, also the title of Part 2, expresses the pleasant sentiment that one enjoys in anticipation of the next good thing to come. It is Mom who coins the term, referring to “the happiest time” of “late afternoons” when all the minute tasks of the day are almost finished: “[h]omework almost done, dinner almost ready, Daddy almost home” (79). While Mom frames this anticipatory moment as representing contentment, the motif also evokes the act of deferring decisions or delaying mature experience, as it applies to her daughters. 

Ollie, in particular, exists in a purgatory of “almost time” for much of her life, ungrounded and without responsibility. Amy, too, often appears stuck in the “almost time,” waiting for her life to commence. When Amy consults the career counselor whom her mother recommends, she is puzzled by the self-help book that the woman hands her: “What color was my parachute?” (123), she wonders, as the book title asks. Before she grasps The Need for Authenticity in Understanding the Self, she does not know who she is or what she wants and thus hovers in the liminal space between childhood and adulthood, the “almost time” before growing up for good. Even in her marriage, Amy feels that she and her husband are play-acting at adulthood. She reminisces about the six months before their wedding, “the happiest of [their] life as a couple. The almost time” (160). Again, the phrase delivers a mixed message. On the one hand, it reflects happiness and anticipation of what is to come. On the other hand, it foreshadows the end of the partnership before it even begins. The marriage ends in divorce, as the “almost time” cannot be made concrete and inevitably passes, just as time cannot be suspended.

The Place and The Rocks

These are the nicknames that the characters give to the two main psychiatric facilities in which Ollie stays. The Place’s nickname is symbolic of shame and secrecy; it effectively remains unnamed, just as Ollie’s situation is not (from the family’s perspective) to be defined or revealed. As Amy admits, “I was bursting to tell him [the family doctor] about The Place, what Ollie had done […] but my mother had strictly warned me not to say a word to anyone” (49). Further, employing a vague epithet for the hospital in which Ollie is held serves to diminish its importance in ways that are ultimately unhelpful for both Ollie and the family.

The Rocks, in contrast to The Place, is a facility with less restrictions and more alternatives: “The patients were called citizens, and they were there on their own recognizance. Therapy was optional, medication was optional” (94). From Amy’s point of view, this means that help itself is optional; she believes that, without coercion, Ollie will not seek treatment. The Rocks, ironically, provides a soft place for Ollie to land, so she does go there voluntarily several times: “[S]he’d cool out at Roxbury from time to time” during her “low periods” (152). It is a refuge of sorts, from her life and from her family, which is part of what frustrates Amy.

Amy’s frustration also bespeaks the problem of trying to define Ollie’s mental illness in an era when mental illness was rarely discussed and not particularly well understood: “We didn’t really know what she was. After The Place, Ollie never stayed anywhere long enough to be properly evaluated, never stayed on medication long enough to give it a chance” (152). There are no words, just as there are no clear and consistent diagnoses, that can express or explain Ollie’s mental illness, so the family must simply accept the situation as it is.

blurred text
blurred text
blurred text
blurred text
Unlock IconUnlock all 51 pages of this Study Guide

Plus, gain access to 9,150+ more expert-written Study Guides.

Including features:

+ Mobile App
+ Printable PDF
+ Literary AI Tools