68 pages 2 hours read

Sunrise on the Reaping

Fiction | Novel | YA | Published in 2025

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Part 3, Chapter 24-EpilogueChapter Summaries & Analyses

Part 3: “The Poster”

Part 3, Chapter 24 Summary

Content Warning: This section of the guide contains graphic descriptions of violence, death, and alcohol abuse.

Haymitch wakes feeling as “weak and weary” (136) as the protagonist of “The Raven”, with black pigment on his fingers. Realizing that Maysilee’s token necklace is the source, he deduces that Beetee has replaced it with an explosive replica, just as he did with the District 9 sunflowers. Beetee has given him a final chance to end the Games. Haymitch contemplates the remaining targets and settles on the Cornucopia. Blowing it up would be a symbolic act of defiance toward the Capitol. He wonders if he can lure Silka out to the Cornucopia and stage a climactic final fight, forcing the Capitol to air the subsequent explosion.

Haymitch pulls a tarp over his head and unravels Maysilee’s necklace, extracting the fuse. Wellie wakes up, and Haymitch carries her down to the forest floor. He hides her in a thicket of grapevines so he can look for firewood, only to be interrupted when a parachute drop arrives, holding a pitcher of milk and a card reading “COURTESY OF THE CAPITOL” (38). Haymitch wonders if the milk is a gift from Plutarch to feed Wellie or a warning from Snow, indicating he’s being watched. If it’s from Snow, he’s sure the milk is poisoned.

Haymitch is overcome by a sense of futility. He knows that everyone in the Capitol is watching him. If he pours out the milk, it will look like he is trying to starve Wellie, but if he brings it to her, she will die. He feels like Snow’s “plaything,” forced to do his bidding in front of all of Panem. The only option left to him is to drink the poisoned milk himself. As he stares into the pitcher, the cannon sounds. Haymitch throws the pitcher aside and races back to Wellie’s hiding spot, only to find Silka holding Wellie’s severed head.

Enraged, Haymitch pulls out his ax. He intends to kill Silka before the Gamemakers kill him, leaving the second Quarter Quell with no victor. The two engage in a “barbaric” fight: Silka slashes Haymitch across the stomach, and Haymitch gouges out her eye. Critically wounded, he runs through the woods, eventually reaching the hedge and the cliff outside the arena. Silka follows him, lobbing her ax at his head. Haymitch collapses and Silka’s throw misses. Her ax rebounds off the force field, flying back up and lodging in her head.

With both him and Silka mortally wounded, Haymitch decides to paint one final poster. He readies his last explosive and the flint striker. As he prepares to ignite the fuse, a voice from above commands him to stop, and a hovercraft shoots at his hands, narrowly missing. The cannon sounds, announcing Silka’s death. Haymitch lights the explosive and throws it over the cliff. A few moments later, an explosion shakes the earth, and Haymitch “[dies] happy.”

Part 3, Chapter 25 Summary

Haymitch wakes up from a nightmare in which Hattie is brewing white liquor in his kitchen. He is shackled to a metal bed inside a glass room, naked except for his flint striker. His stomach wound has been stitched up, and there are IV needles in his arms. Avoxes press their faces into the wall, begging him for “something [he] can’t give” (141). Haymitch feels a brief sense of relief upon seeing a rabbit similar to the one that led him out of the hedge, but as he looks on the rabbit is swallowed up by a snake.

A nurse enters the room to clean Haymitch’s wounds. When he struggles and complains of the pain, she administers a sedative, knocking him back into unconsciousness. Over the next few days, Haymitch drifts in and out of consciousness, causing as much trouble as possible each time he wakes up in the hopes of being given more sedatives. One day, he wakes up not in the hospital, but in the now-empty tribute apartment, still rigged with cameras. A pump is implanted in his chest, similar to Lou Lou’s.

Haymitch wanders into the kitchen, where the fridge contains only bread and milk. Haymitch is no longer afraid of Snow’s poison. He knows that Snow will keep him alive indefinitely, punishing him for the Capitol’s entertainment. Haymitch spends days in the apartment alone, wondering who is paying for his acts of rebellion and how the Capitol will edit the Games. 

After about a week, the TV in the apartment begins to flicker on and off, showing brutal clips from old Hunger Games. One night, Haymitch is shown a clip of a girl in a rainbow dress singing “a familiar tune with unfamiliar words” (43). Haymitch recognizes her as a Covey ancestor and District 12’s sole past victor. Finishing her song, the girl reaches out to a young man silhouetted in the audience. Recalling Snow’s strangely intimate knowledge of the Covey, Haymitch wonders if the man is a young Snow.

Peacekeepers arrive, flanked by Haymitch’s prep team. Effie cleans and styles Haymitch for the upcoming Victor’s Ceremony. She insists on staying by his side as he is transported to the auditorium, still cuffed to the chair. Wiress and Mags arrive, both showing signs of torture. Mags is in a wheelchair, and Wiress is speaking incoherently.

Haymitch is led to the stage, where Caesar plays a recap of the Games. For the first time, Haymitch sees how the Capitol has edited the footage. Their own mistakes have been cut clean out, and the timeline manipulated to obscure moments of solidarity between tributes. Haymitch has been portrayed as selfish before receiving a final-act redemption arc. His final act of rebellion has been erased from the footage. As the camera zooms out at the end of the broadcast, the arena is revealed to be shaped like a giant eye.

The crowd applauds Haymitch as Snow descends from a platform above. He places the victor’s crown on Haymitch’s head and says: “Enjoy your homecoming” (148).

Part 3, Chapter 26 Summary

At the afterparty for the Victor’s Ceremony, Haymitch is suspended in a giant, locked golden birdcage. Capitol guests hand-feed him scraps of food. Haymitch endures every indignity, hoping to save his loved ones. Plutarch records footage, and Haymitch is unsure whether he can trust him after all.

As the party dies down, Plutarch approaches Haymitch. He has no news about the Abernathy family but says that Lenore has remained imprisoned on the Peacekeeper base since her arrest. Haymitch thinks of the awful things that would be happening to her: “Confined. Starved. Tortured. Raped. Murdered” (149).

After 10 days of Capitol parties, Haymitch is placed on a train bound for District 12, along with coffins containing the decomposed remains of his fellow tributes. On the journey home, he reflects on Snow and the unknown Covey girl. He recalls a forbidden song that Lenore sometimes plays for Burdock, called “The Hanging Tree.” The song tells the story of a rebel who is hanged by the Capitol. After death, he asks for his lover to join him at the gallows, and his call is taken up by the mockingjays.

When the train finally arrives at District 12, no one is waiting at the station. As Haymitch walks toward his home, he notices a glow in the distance. His family home is on fire. Burdock tells Haymitch it is too late to save his family.

Haymitch is overcome with grief, screaming and sobbing until Asterid March arrives to administer a sedative. He wakes up at the McCoy house, where Louella’s mother is caring for him. She informs him that Lenore has a hearing with the Peacekeeper base commander that day.

District 12 holds a funeral for its dead. Ma and Sid are buried together in a single coffin, alongside Louella, Maysilee, Wyatt, and Wyatt’s father, Jethro, who died by suicide after Wyatt’s coffin arrived in 12. Burdock sings a mourning song, and the crowd performs a three-finger salute, a goodbye to the fallen tributes.

Haymitch doesn’t want to stay with the McCoys, unable to face their questions about Louella. Temporarily forgetting the fire, he walks home, only to find himself standing in the ashes. Recalling how careful his mother was with fire, he is certain that this was an arson orchestrated by Snow.

Burdock appears to escort Haymitch to the Victor’s Village, where he takes more sleep syrup. He still wakes in the middle of the night, overcome by a desire to see Lenore. Haymitch hides near her home to wait for her return, hoping to see her one more time before leaving her alone forever to ensure her safety. 

When Lenore appears, she spins around happily, holding the bag of gumdrops that Haymitch gave her. Unable to contain himself, Haymitch runs to her, and they embrace. As he holds her, Haymitch realizes that he can’t leave her behind, and resolves to find a way for them to live together.

Lenore opens the bag of gumdrops, and Haymitch feeds her two. She happily says that she can now eat the “other candies” that Sid gave her, which are still at home under her pillow. Haymitch looks down at the bag and sees that all of the gumdrops are blood-red. Panic sets in as he realizes that the bag was planted by Snow. He makes Lenore spit out the gumdrop she is chewing, but it’s too late. She collapses into his arms, poisoned. As Lenore dies, she implores Haymitch not to let the sun rise on another reaping.

Part 3, Chapter 27 Summary

After Lenore’s death, Haymitch is plagued by nightmares about her last moments. Over and over, he sees himself feeding her the poisoned gumdrops, and relives the grief of her uncles as they try to revive her. Each nightmare ends with “The Raven” echoing in his mind. 

The poem reminds him that Snow will kill everyone he loves. This knowledge causes Haymitch to drive everyone away. Burdock and Asterid continue visiting the Victor’s Village until Haymitch throws rocks at them, striking Asterid in the head. After they stop coming around, he is completely alone.

Haymitch begins buying bottles of liquor in the Seam. He gets blackout drunk every night to cope with his insomnia. One morning, he realizes that Lenore’s uncles have likely buried her in the woods. He locates the small Covey cemetery hidden in a clearing, where each headstone bears a short inscription from the ballad that gave its inhabitant their name. Haymitch sees “Maude Clare,” “Lucy Gray,” and, finally, “Lenore Dove.” He lies on Lenore’s grave, begging her to come back. In the morning, he buries his flint striker by her headstone.

After another night of heavy drinking, Haymitch wakes up in an alley that is spray-painted with the messages: “NO CAPITOL, NO HANGING TREE” and “NO CAPITOL, NO REAPING” (159). Haymitch remembers Maysilee’s comment about the paint under Lenore’s fingernails and knows that the graffiti is Lenore’s. Thinking of her plea not to let the sun rise on another reaping, Haymitch feels “[condemned] to life” (160).

On the morning of the Victory Tour, Effie arrives at the Victor’s Village to help prep Haymitch. She expresses her condolences for his family’s “accident” and Lenore’s “appendicitis.” Haymitch boards the train and meets Plutarch, who has been contracted to record the tour.

Haymitch drinks his way through a celebration in District 11. After the party, Plutarch pulls him into the attic of the Justice Building and tells him that the rebellion still needs his help. Though Haymitch’s attempt to overthrow the Games did not succeed, he demonstrated courage and the ability to imagine a better future. Plutarch says that successful rebellions can take generations and that they are “all part of a continuum” (161). One day, someone like Haymitch will overthrow the Capitol. Plutarch assigns Haymitch to be a mentor for District 12’s future tributes. Each year, on his birthday, he will “get a new pair of tributes…to mentor to their deaths” (162).

Appalled, Haymitch shuts Plutarch out for the remainder of the tour. On the day the train heads back to 12, he tells Plutarch that he is not a good person and accuses him of helping the Capitol with his propos. Plutarch responds that he is not a hero, but he is at least “still in the game” (162).

Part 3, Epilogue Summary

The Epilogue is narrated by an adult Haymitch, after the events of the original trilogy. Under the leadership of Katniss Everdeen, Burdock’s daughter and Haymitch’s mentee, the rebels have overthrown the Capitol and installed a democratic government. Lenore Dove no longer haunts Haymitch’s nightmares. When he sees her now, it is as a wrinkled and graying woman, as if they have grown old together. Though he has fulfilled his promise not to let the sun rise on the reaping, Lenore refuses to let him join her yet because he has to take care of his family.

Haymitch recalls the first time he met Katniss, when Burdock brought her to the Hob. After Burdock’s death in a mine accident, Haymitch began to look out for her from afar. She reminds him of Louella, and when he became her mentor in the Games, he transferred Louella’s old nickname to her.

Haymitch slowly opened up to Katniss and her fellow tribute, Peeta Mellark. When they began working on a memorial book after the Second Rebellion, Haymitch reluctantly told them about his past. Shortly afterward, Katniss and Peeta gave him a basket of goose eggs and an incubator. Haymitch is raising the goslings in Lenore’s honor and often takes them to the meadow where the two of them would meet.

Haymitch still drinks heavily, though “less to forget, more out of habit” (163). He knows he doesn’t have much time left to live, but he is content in his knowledge that the Capitol can never truly separate him from Lenore. In fact, “nothing [they] can take from [him] was ever worth keeping” (163). The novel ends with Haymitch telling an imagined Lenore, “I love you like all-fire” (163), to which she responds in kind.

Part 3, Chapter 24-Epilogue Analysis

The remainder of Haymitch’s time in the arena constitutes a power game between himself and Snow as they vie for control of the narrative, reflecting The Dangers of Media Monopoly and Propaganda. Snow’s “gift” of poisoned milk plays on their shared knowledge that Haymitch’s actions are being watched and dissected by a critical audience. The milk is a reminder that the Capitol holds the ultimate power over Haymitch’s story. Unable to call out the poison directly, he faces the choice between killing Wellie and killing himself, taking his final chance to die “clean and fair” (58) and spare his family. Seconds away from drinking the milk, he is only stopped by Wellie’s screams and his desire to protect her.

Haymitch’s attempt to leave the Games without a victor is also foiled by the Capitol, who nurse him back to health only to torture him and parade him in front of audiences like a puppet. He is not allowed to “die happy,” highlighting the extent of Snow’s cruelty and the Capitol’s control over citizens’ lives. In Chapter 25, Haymitch sees the finalized broadcast of the Second Quarter Quell. The narrative has been chopped up and rearranged to undermine the audience’s perception of the tributes. Their agency is taken away, and all moments of solidarity and defiance are erased. This edited broadcast highlights the importance of the Capitol’s media monopoly. With no competing channels, they are free to manipulate the portrayal of the Games. The narrative they create mocks the tributes and reinforces their subservience, removing opportunities for audiences to empathize with them or think critically about Panem.

As she prepares Haymitch for the Victor’s Celebration, Effie offhandedly states that the Hunger Games “really are for the greater good” (145). Her statement evinces the depth of the brainwashing that keeps Capitol citizens compliant with the Games. It is notable that, while its citizens understand and accept that District children are killed each year in the Games, the Capitol still deems it necessary to cover up the murders that occur outside the Games. This seemingly incongruent detail points to just how carefully the government curates its image.

Collins returns to the theme of The Complexities of Submission and Control as Haymitch submits entirely to Snow after the Games, desperate to keep his loved ones alive. Though he endures days of torture and debases himself for Capitol audiences, Snow orchestrates the brutal murders of Ma, Sid, and Lenore anyway. The Capitol propaganda machine swiftly obscures these crimes, attributing the deaths to accidents and illness. Haymitch once again sinks into hopelessness, as all progress toward liberation appears thwarted by the relentless cruelty of the Capitol. The trauma of his experiences in the Games and the loss of his entire family leaves him completely broken, no longer able to envision a brighter future.

Haymitch’s descent into alcohol dependency after the loss of his family and Lenore illustrates the legacy of trauma left by the Games. Believing that his actions caused their deaths, Haymitch is overwhelmed by guilt and self-loathing. He has “no plans, no hopes [and] no company” (161). While awake and sober, he is haunted by constant waking visions of his dead loved ones, so he copes by numbing himself with bottles of liquor. Chapter 27 contains the entirety of “The Raven”, its stanzas breaking up the text as the poem repeats in Haymitch’s mind. His fate converges with the poem’s tragic speaker as he succumbs to the enormity of his losses, certain that he will “nevermore” experience happiness or love.

These final chapters bridge the gap between young Haymitch and the combative, isolated, and miserable adult readers first met in The Hunger Games. Haymitch’s post-Games trauma contextualizes his reluctance to let anyone get close to him. Taking away the ability to form community bonds is yet another method of control employed by the Capitol elite, who are keenly aware that united communities are harder to oppress.

Nevertheless, Plutarch’s conversation with Haymitch in Chapter 27 encapsulates the theme of The Importance of Resistance. Haymitch feels that the rebellion has failed definitively, and he is “living proof that the Capitol always wins” (161). Plutarch assures him that the fight is far from over. He states that he, Haymitch, and every other participant in the rebellion is “part of a continuum” (161), supporting a cause that may take generations to succeed. He asks outright, “Does that make it pointless?” (161). The answer given by the text is a resounding no, as readers know that the rebellion eventually succeeds.

The Epilogue offers readers a glimpse into the brighter future predicted by Plutarch, which has indeed come to pass. Led by Katniss Everdeen, Haymitch’s mentee, the Districts have overthrown the Capitol government and ended the Hunger Games. Each seed of resistance planted by Sunrise on the Reaping counted toward their ultimate success. By ending the novel on this hopeful note, Collins underscores the idea that, while effecting change may take generations, the effort is always worth it.

The Epilogue also expands on Katniss’s family, confirming that her late father is Burdock Everdeen, Haymitch’s former best friend, and Asterid March, the kind young girl introduced in the first chapter. This connection between Haymitch and Katniss contextualizes Haymitch’s reluctant affection for her, and his eventual willingness to bond with her despite pushing everyone else away.

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