58 pages 1 hour read

The Friday Afternoon Club: A Family Memoir

Nonfiction | Autobiography / Memoir | Adult | Published in 2024

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Key Figures

Griffin Dunne

Content Warning: This section of the guide includes discussion of death, child abuse, pregnancy loss, child death, suicidal ideation, mental illness, illness, and substance use.

Griffin is the author, narrator, and protagonist of the book. He is an actor, producer, and director, and he details some of his work in the memoir: producing and starring in the Martin Scorsese-directed After Hours and starring in An American Werewolf in London. Since the events of the memoir, Griffin has continued to work in film. He directed a documentary on the writer Joan Didion, who is also his aunt and features prominently in the memoir. He also directed the movie Practical Magic.

The book’s early chapters are filled with anecdotes from Griffin’s childhood that paint a picture of the kind of person Griffin is. Especially in his youth, he was mischievous and daring, even irresponsible. Anecdotes such as “borrowing” his mother’s car in the middle of the night with a friend when he was still a child, conspiring with his friend John to kill John’s abusive stepfather, and even getting married on a whim at 18 all reiterate this.

At the same time, Griffin’s loving and loyal side, especially to those he holds dear, is equally on display. For instance, he refused to sell out his friend John to prevent his own expulsion from a private high school when the two were caught smoking marijuana. Though Griffin’s actions were often reckless, they were never callous or malicious. He slept with Carrie Fisher, his best friend, but their friendship and his affection for her remained unchanged even though they never pursued a romantic relationship. The two remained close, without any awkwardness, possessiveness, or jealousy. On the occasions that Griffin did act in anger, it didn’t take long for him to realize his error and seek out a reconciliation, as he did with his uncle John Dunne.

This love and loyalty flows into the narrative as well: Although Griffin is the author of this memoir, he is not always the protagonist in every scene. As a narrator, he often centers the story on his family—his parents, siblings, and uncle and aunt. Rather than solely exploring their impact on his life, he also describes their dynamics with each other and explores their backgrounds and personal struggles. Griffin offers a glimpse into each of his parents’ personal stories, discusses Alex’s mental health challenges, and centers Dominique’s death and its impact on his family in the second part of the book.

Griffin’s observations of his family’s experiences offer a glimpse into the Dunnes’ lives but also into the world of Hollywood and the Manhattan elite during a very specific era. The parties were wild and star-studded, and Griffin uses them to explore The Impact of Fame on Relationships. Similarly, Dominique’s death and the subsequent trial of John Sweeney, her ex-boyfriend and murderer, set the stage for the exploration of The Pursuit of Justice. Throughout the events described in the book, Griffin also displayed remarkable personal growth: In contrast with the numerous, shocking anecdotes he recalls in the earlier chapters, his decisions in the final ones display his maturation. He consciously chose to let go of the hate he felt for Sweeney, and when Carey Lowell became pregnant, the couple decided to marry and have the baby. Griffin’s wholehearted embrace of fatherhood underlines his transformation, and the book fittingly signs off with Griffin holding his newborn daughter, Hannah, in his arms.

Dominick “Nick” Dunne

Nick was Griffin’s father and a well-known writer and producer. Griffin details the trajectory of Nick’s career—his rise and fall in Hollywood and his eventual resurgence and success as a writer—in the book. Alongside this, Griffin sheds light on Nick’s personal life and relationships, including with Griffin’s mother, and Nick’s brother and sister-in-law, John Dunne and Joan Didion.

Nick was a sensitive man with a tendency to seek adulation that did not always serve him or his loved ones well. His attraction to Hollywood lay as much in the glitz and glamour of the film as it did in the work itself; thus, Griffin’s recollections of the Dunnes’ early years in California revolve more around the parties that Nick and Lenny hosted than around Nick’s work itself. Nick truly came into his own career-wise after he left drugs, alcohol, and Hollywood for good and found his voice as a writer.

Nick’s desire for status and approval partly contributed to the demise of his marriage, with Lenny tiring of the constant hosting and socializing. The other factor was Nick’s sexuality, which he initially kept hidden from Lenny, and his affairs with men throughout their marriage. Though Nick’s choices sometimes hurt both himself and his family, Griffin presents him with empathy and understanding. For instance, in the opening chapters, Griffin details the abuse that Nick endured at his own father’s hands for being too “sensitive.” Though his father and peers derided him as unmasculine, implying that he lacked toughness, Nick demonstrated extraordinary valor in his military service, even receiving a medal of honor for risking his life to rescue two wounded comrades. This paints Nick as a figure warranting both sympathy and understanding for some of his actions. Similarly, despite his affairs, Nick’s love for Lenny was constant and apparent, even after their divorce; he was distraught when she left him, and he rushed to her side as soon as she needed him.

Griffin’s portrait of Nick is that of a talented man who loved fiercely and whose tragic flaw was his intense desire for social and professional approval. Although he faced heartbreak and failure with both of these early on in his life, he was clawing his way back again, and Dominique’s death was a turning point of sorts. In the aftermath of this tragedy, Nick finally turned his life around and received what he had always wanted: love reciprocated (even if platonically) and success and fame for himself.

Ellen “Lenny” Griffin Dunne

Lenny was Griffin’s mother. Initially moving to New York with theater dreams of her own, Lenny quickly traded them in to become a wife and mother after she met and married Nick. Despite their initial whirlwind romance, marrying just a year after they first met, Lenny and Nick’s marriage eventually broke down a little more than a decade later. However, the tragedy of their daughter’s death eventually brought them back together years later.

Lenny was someone of quiet and consistent strength. When it became apparent to her that her relationship with Nick was not in a good place, she took the hard step of asking for a divorce and almost single-handedly parented her three young children after. She was diagnosed with multiple sclerosis when her sons were still teenagers, but her degenerative condition did not translate into self-pity or despair. For instance, she informed her children of her diagnosis only long after she had discovered it, and she quickly moved to make practical adjustments to her life, like moving out of a multi-story house. Lenny’s composure and stability is captured in the Prologue, which describes her receiving news of Dominique’s condition from Detective Johnston and still managing to maintain a polite demeanor as she called Nick.

Lenny’s strength is also seen in how she was undeterred by either her physical condition or the painful tragedy she experienced when her daughter was murdered. Rather, it almost invigorated her, and she threw herself into activism. Unsatisfied with the lack of justice obtained for her daughter, Lenny went on to found Justice for Homicide Victims, an organization that had a real impact on legislation surrounding victims’ rights.

Alex and Dominique Dunne

Alex and Dominique are Griffin’s siblings. Alex is the middle child and Griffin’s brother, while Dominique was their sister and the youngest of the trio. Of the three, Alex is the most sensitive and withdrawn, despite being immensely talented as a writer himself. Griffin’s narration suggests that Alex’s temperament is related to his mental health, as Alex experienced episodes of mania and suicidal ideation throughout his adult life. Despite his volatility, he remained close with his siblings, and they in turn loved and looked out for him: Alex came to Griffin when he escaped a psychiatric hospital and fled Vancouver for New York, and Griffin and Dominique constantly discussed their concerns for their brother. Alex, in turn, was shaken and heartbroken at his sister’s death.

Born after multiple baby losses, Dominique was the youngest of the Dunne siblings and much adored by her entire family. Although Dominique does not feature prominently in action throughout the memoir, Griffin’s recollections paint her as someone who was talented, passionate, and headstrong. Shortly after she decided on acting as a career, she turned her dreams into reality, landing roles in TV series and eventually a feature film, Poltergeist. Her family are depicted as eager to go along with her wishes, even when they privately had reservations; only Alex ever openly voiced his disapproval of John Sweeney, even though both Griffin and Nick disliked him.

Dominique’s death was the tragedy that changed the Dunne family forever, and it serves to anchor the narrative. The Prologue opens with a mention of her strangulation at Sweeney’s hands, and Griffin’s anecdotes and recollections eventually build up to her death and Sweeney’s trial in the second part. Dominique’s death impacted each of her family members in indelible ways: It brought her entire family together, united in their grief and support for each other; it allowed each of her parents to focus their energy and talents into productive and successful endeavors; and it gave Griffin a perspective on the important things in life that eventually aided his maturation as well.

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