58 pages 1 hour read

The Friday Afternoon Club: A Family Memoir

Nonfiction | Autobiography / Memoir | Adult | Published in 2024

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Themes

The Power of Forgiveness

Content Warning: This section of the guide includes discussion of death, child abuse, pregnancy loss, and child death.

The Friday Afternoon Club is a family memoir more than it is a personal one. It details the lives and experiences of a number of Griffin’s family members, simultaneously exploring the relationships between all of them. As Griffin lays bare the conflicts that have threatened to split his family apart, he emphasizes the role of forgiveness in allowing them to heal.

Griffin begins by offering some background on the different members of his family, although this is not all the context he provides. He details each of his parents’ families and where their roots lie: Lenny was the only child of an Arizona rancher, while Nick was the oldest son of a successful doctor. Alex, Griffin’s younger brother, was a talented but sensitive child from a young age, while Dominique was the cherished youngest sibling and only daughter, born after Lenny had already lost other children either during pregnancy or in infancy. These backgrounds allow the readers to understand not only their individual personalities but also their interactions. For instance, Nick, who was treated cruelly by his own father for his sensitive nature, struggled to accept this same sensitivity in his son. Similarly, all the Dunnes found it difficult to disagree with Dominique or share their disapproval of her choice in partner because she had always been indulged—hence, no one except Alex voiced their misgivings about John Sweeney. These mistakes were rooted in patterns established in the deep familial past. In order to build a better future, members of the Dunne family had to learn to forgive both each other and themselves.

Despite the love between the Dunne family members, there were also complications and conflicts. For instance, Nick and Lenny’s marriage, though born of love, disintegrated due, in part, to Nick’s extra-marital affairs with men. Similarly, there were tensions with extended family members as well—Nick and John had a rocky relationship for years, with John’s early fame and success, and later his conduct after Dominique’s death, contributing to the friction between the brothers. Even Griffin experienced disappointment in his relationship with John at this juncture, despite always having gotten along with him. Griffin does not shy away from offering an honest look at the contentious dynamics that existed within his family alongside the strong and positive ones; in fact, he uses them in time to emphatically demonstrate the possibility and positivity of forgiveness in relationships.

By laying bare the good and bad of the relationships within the Dunne family, Griffin shows how forgiveness and reconciliation were achieved within each of these relationships. Despite the breakdown of their marriage, Lenny and Nick still harbored love for each other, enough they united without question after their daughter’s death—in fact, Nick was Lenny’s first call when she received the news. Griffin and John burying the hatchet is not as shocking, as nephew and uncle were always on fairly good terms; however, even Nick and John managed to put aside their differences in the later years of their life, once again brought together by the possibility of tragedy—the two men discovered that each had had recent heart attacks. Their reconciliation is a reminder of two things: That there was, indeed, a foundation of love in that relationship after all and that tragedy can put the important things in perspective, especially within relationships. Thus, Griffin explores family dynamics in a way that displays all the messy, complicated, real aspects of relationships, as well as the possibility of wading through it all to find forgiveness and reconciliation at the end.

The Impact of Fame on Relationships

The Dunne family, who are the focus of the book, were a family famed in Hollywood and literary circles. Growing up among the celebrity that surrounded his family, Griffin witnessed the insidious ways in which fame, ambition, and envy altered people’s relationships to one another and to themselves.

With his family’s work, fame was an early player in all their lives. Nick’s desire for social status and success saw the family move to Beverly Hills when his children were still young. While Nick lived his dream for a time, socializing and forming connections within Hollywood, this took a toll on his marriage and eventually led to its breakdown. Griffin understands this well, having also witnessed the tensions that fame brought into the relationship between Nick and John—the latter’s much faster success was a sore point with Nick, especially because Nick desired it so much more. Griffin presents these situations honestly and observationally, establishing early on not only the ubiquitous presence of celebrity and fame in his life growing up but also an awareness of the havoc that ambition and envy could wreak on relationships around him.

Griffin discovered an affinity for the performing arts early in his life, and for this reason, ambition and the pursuit of fame became integral to his developing identity. As a teen, he attended Hollywood parties courtesy of his aunt and uncle. When he discovered his own talent for performance, his sense of identity began to solidify: He had found something he loved to do and that spoke to both his characteristic love of experimentation and his inherent talent for storytelling. However, this also meant that from this point on in Griffin’s life, as he took to the stage and eventually the screen, the ideas of fame and identity began to intertwine.

As a narrator, Griffin displays an awareness of the influence of fame on both others in his life and his own self-concept and self-esteem. Through anecdotes, he shows how fame changed relationships around him—Nick and John, Nick and Lenny, and even his own equation with Carrie Fisher for a time. The latter underlines how the desire for fame and the need for appreciation and adulation had become so strong in Griffin’s life that it manifested as insecurity even within one of his closest relationships, much as it did with his father and uncle. Over time, however, and especially after Dominique’s death, a tragedy that changed things in many ways for the Dunnes, the sway that fame held in Griffin’s life faded away. By the end of the book, Griffin’s identity has shifted monumentally in a way that has nothing to do with him: He became a parent and embraced fatherhood, and a whole new chapter in his life began.

The Pursuit of Justice

Dominique’s murder is introduced in the Prologue, and the second part of The Friday Afternoon Club focuses on this tragedy, along with the subsequent trial of John Sweeney and the impact that both experiences had on the family. Griffin uses this context to explore both individual and systemic failings in the pursuit of justice.

Griffin’s recollections of the trial expose the limitations and failures of the justice system. From the outset, the Dunnes were aware that Judge Katz was operating with a bias: He found defense attorney Mike Adelson charming, and he took an instant dislike to both the Dunnes and the prosecutor, Steven Barshop. Because of this personal bias, Griffin argues, the judge favored Adelson in a way that negatively impacted the trial’s fairness. Adelson, for his part, defended Sweeney largely by attacking Dominique’s character in highly misogynistic terms—for example, bringing up her past abortion, as if this made her less deserving of justice. That this tactic appeared to have worked is an indictment of a justice system that all too often blames women for the violence committed against them by men. Sweeney’s sentence was widely believed to be disproportionately lenient in comparison to his crime. Furthermore, it appeared to have made no impact on Sweeney’s behavior once he was released after serving time—shortly after, he was fired from a restaurant job for punching a busboy. Griffin thus shines a light on the limitations of the justice system, from the presence of human bias to the ineffectiveness of punitive justice.

Griffin also showcases how, at a personal level, pain can cause one to conflate vengeance and hatred with justice. When his Mafia friends offered to have Sweeney killed in jail, Griffin seriously contemplated taking them up on the offer. This incident—so out of character for Griffin—illustrates the degree to which his anger at Sweeney threatened to overtake his personality. Earlier, when he visited a psychic, she offered a vision that foreshadowed this development: Dominique in limbo, overwhelmed by the pain, anger, and hatred that her brother was harboring.

The pain of Dominique’s death brought some members of her family together, but the anger it engendered also drove other members apart. Alex and Griffin assumed that their uncle John and aunt Joan had betrayed the family by remaining friends with the restauranteur who employed Sweeney and paid for his legal defense, and they played a cruel prank in an attempt to punish their relatives for this perceived betrayal. Eventually, both Alex and Griffin realized that vengeance does not bring about justice. Just as systems can be flawed and limited, Griffin conveys that justice cannot be left up to individuals, either—people can be equally blinded and ineffectual in their individual pursuits of justice.

Alongside these limitations and failures, Griffin also highlights what can be an effective or constructive way in which to pursue justice; his parents are the examples of this. Nick’s article, for instance, not only brought him fame but also drew attention to the lapses in the procedure of justice for Dominique. The media outcry eventually led to Judge Katz’s demotion, ensuring that he could not continue to inhibit justice at the scale he once did. On an even more impactful level, Lenny founded an organization that ended up having a real impact on legislation, with the Justice for Homicide Victims getting Marsy’s Law passed in 24 states, including California. Storytelling and activism, both aimed not at causing pain for the perpetrator but at making things safer for potential victims in the future, come through as positive and effective ways in which to move forward. With this, Griffin suggests that the pursuit of justice should be focused on building a better world in the future, not avenging the wrongs of the past.

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