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Philip is a lost youngster whose complicated life is given new meaning through his relationship with Endo. While Philip wishes to find a more straightforward, cohesive sense of himself and his place in the world, his links with Endo ultimately introduce new complications. Throughout the novel, Philip must thus navigate the tension between conflict and harmony.
Philip first tries to reconcile conflict and harmony through his study of martial arts. At numerous points in the novel, Philip fights his grandfather, Kon, Uncle Kim, and Tanaka not out of a desire for conflict, but as a means to better understand them. These relationships achieve a measure of harmony through the use of ritual conflict. The martial arts, Endo explains, implicitly contain this tension: Endo teaches Philip how to hurt people, but preaches that the truest expression of these techniques is their non-use. Aikido, like the other martial arts, seeks harmony as much through the lack of conflict as through conflict itself. Learning to navigate this tension helps Philip to understand himself and others.
A similar tension is found in Endo’s suggestion that he and Philip are linked by fate and a cyclical conflict that has bound them through their previous lives. They are bound to find each other, wherever they may be, so that they can—ideally—resolve this disharmony. The irony of their relationship is that, in order to allow their souls to be at peace, they must first endure the conflict of war. After the Japanese surrender, Endo insists that Philip must kill him using the techniques he taught him. Their harmony can thus only be achieved through confronting their conflict once and for all. There is an inherent duality to existence, Philip learns, and he must learn to accept this, as Endo has done.
The lessons that Philip learns about conflict and harmony during the war also help him navigate life in post-war Penang. For many years, as he was working with both the Japanese and the resistance, he felt constant internal tension. Though he wanted to protect his family, he was considered a traitor by many people. While this social condemnation bothered Philip during the war, in the post-war years he reaches a delicate harmony with his role in the conflict. He accepts the tension between those who celebrate him and those who condemn him. Even in the same restaurant, one owner will praise him and another will shun him. Rather than try to resolve their conflicting opinions, he accepts the inherent tension as simply a part of life.
Philip thus finds harmony by accepting that no one will ever know the complete truth. Even someone like Michiko, to whom he tells his entire story, is only able to hear the story because she is an outsider who will tell no one. In this sense, he finds peace in disharmony. As with his martial arts, harmony is achieved by refusing to engage in conflict.
As a protagonist, Philip grapples with the complexity of identity. His father is British, and his mother was Chinese. Rather than feeling a part of two cultures, he feels distant from both. His own family senses his alienation but—since they are all solely British—they struggle to sympathize with his plight. Throughout The Gift of Rain, Philip seeks to find a more cohesive sense of identity and self.
Ironically, he initially tries to resolve this complexity through a third identity. When he meets Endo, Philip meets someone separate entirely from both British and Chinese identities. By learning about Japanese culture from Endo, Philip gains a fresh perspective on his own identity. His family notices the change in him brought about by Endo’s teachings, praising him for his efforts to become more a part of the family. Endo encourages Philip to meet his grandfather, learn more about his Chinese heritage, and improve his relationship with his father. Endo’s outside influence helps to create a synthesis between Philip’s competing identities: Rather than being someone who is not quite British or Chinese, he comes to accept his own unique self.
While Philip may have found a way to balance his British and Chinese heritage as an individual, he soon confronts the problem of national identity during the war. While he has grown to love Penang, his enduring loyalty to Endo leaves him with conflicting interests, torn between his love for his friend and his loyalty to his country. Unlike Kon and his own family members, Philip refuses to commit wholeheartedly to the resistance, initially choosing to collaborate fully with the Japanese. His association with the Japanese means that he is once more turned into a social outcast. The brutality of the Japanese army fosters hatred among the people of Penang, with Philip labeled a traitor. Philip assures himself that he is only trying to help his family, but the idea that he has betrayed Penang is almost too much for him. He begins to help the resistance but, in doing so, he then feels he is a traitor to the Japanese and to Endo. Philip’s disorientated sense of identity is once more a source of misery for him.
In his later life, Philip is more content with the complexity of his identity. Rather than seeking a resolution, he learns to accept the disorder. Philip knows who he is and what he has done, and he understands that his dual identity will always be a part of who he is. The complexity of Philip’s identity is thus only truly resolved when Philip accepts the duality for what it is.
The Gift of Rain uses the sharing of memories as a framing device for Philip’s story. In seeking to not only relive the past but to share it with someone else, Philip and other characters experience the comforting nature of sharing memories, bringing them a sense of closure and peace.
Michiko purposefully seeks Philip out because she has been haunted by her memories of her doomed romance with Endo all her life. She shares her memories with Philip, finding catharsis for the guilt she has carried for decades over how her father helped ruin Endo’s family and ultimately separated them for good. In unburdening herself to Philip, she can finally express her longings and regrets to someone whom she knows will be sympathetic to her plight. She wants to know about Endo and Philip, knowing the importance of Endo to both their lives. In hearing about Philip’s memories, she can fill in the gaps about Endo’s life and death in Malaya and finally learn what became of her former lover.
Philip, in turn, has been haunted by his memories. He admits that he has never told anyone else the details of what happened to him during the war, even if these details might exonerate him. Nevertheless, he can only find comfort through sharing these memories with someone who truly understood Endo and, by extension, will understand why Philip was drawn to him. The act of sharing memories thus becomes a search for atonement and understanding. With Michiko, Philip feels there is an audience who can grant the comfort and atonement he desires.
Philip’s first meeting with his grandfather is also shaped by the sharing of memories, which helps to facilitate their reconciliation. Khoo Wu An shares memories from his own life, using his past experiences to aid Philip in understanding who his grandfather is and what he has done. He tells the story of his jade pin, one which involves his relationship with the forgotten emperor, Wen Zu. By understanding this story, Khoo Wu An hopes, Philip will be able to understand his grandfather and forgive him for his estrangement from his mother. Grandfather and grandson can thus reach a mutual understanding and find comfort in their memories.
The Gift of Rain thus presents the sharing of memories as the most effective means of reconciling the characters to their past. In sharing their memories, the characters forge stronger emotional bonds between themselves and also find the peace that has eluded them for so many years.
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