19 pages 38 minutes read

The History Teacher

Fiction | Poem | Adult | Published in 1991

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Symbols & Motifs

The Teacher

The poem’s subject, a nondescript history teacher, stands in for those who seek to present a simplified and moralistic history to children. The history lessons that are taught in the poem are symbolic of society’s desire to protect children and sanitize history. The War of Roses becomes a disagreement that “took place in a garden” (Line 11). The dropping of the atomic bomb on Japan becomes the dropping of a singular “tiny atom” (Line 12). The Boer War’s reimagining as “long, rambling stories / designed to make the enemy nod off” (Lines 21-22) obscures colonial violence. By removing violence, particularly Western aggression, Collins argues that the teacher, rather than protecting the students and reducing violence, actually contributes to the problem. The teacher’s purpose to “protect his students’ innocence” (Line 1) reflects the wider cultural push at the time of the poem’s writing to start grounding education in such concepts as morality. Collins shows the ineffectiveness of this ideology in the students’ playground behavior. Collins uses the teacher’s unawareness of the effect of his lessons to criticize the push to soften history.

Children and Playground Violence

The children are not presented as a symbol of a hopeful site of potential. They are neither inspired by the teacher nor bastions of youthful innocence. This space is outside the fantastical creations of the history teacher. The teacher’s lack of awareness or relationships with his students also contributes, as he does not engage or intervene in any meaningful way. The teacher’s limitation to the classroom only, Collins suggests, also contributes to the violence.

Collins’s choice of the playground as a site of violence reflects his argument that attempts to prevent school violence through censoring history actually prevents nothing, if not actually causing more violence. The teacher’s lessons impact the students outside of the classroom, but not in the positive way that the teacher anticipates. Instead, the children bully others on the playground. The students “torment the weak / and the smart” (Lines 15-16), suggesting that those who are strong and not smart are in charge. By not teaching history accurately, the teacher contributes to the ignorance that leads to the children’s violence.

Flower Beds and White Picket Fences

The poem is set in an unspecified American town. The history teacher “walked home / past flower beds and white picket fences” (Lines 18-19). These features are elements of an idealized America described in the American Dream. Collins makes this reference to criticize this treatment of history as a part of an unattainable and fictional picture of America. These elements of simple American suburban life echo the innocence the teacher wants in his students. Yet this image of life is as constructed and fake as the teacher’s presentation of history. The flower beds and picket fences are constructed to create an ideal house just as the teacher creates an idyllic history. While the teacher may want his students to live in such a safe and innocent place, this is as unattainable as his desire for them to stay ignorant in their innocence. This idealization of life, the poem suggests, is just as fake, if not as dangerous, as the recreation and sanitization of history.

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