53 pages • 1 hour read
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In a flashback, Brooke and Shane wake to the sound of someone screaming Brooke’s name. They step into the hallway and find Tim and Kayla emerging from another room down the hall. The front door is open; Chelsea is yelling from the front porch. The boys run down the stairs, quickly followed by Brooke and Kayla. Outside, Brooke sees Brandon on the porch with blood on his chest and mouth. Tim checks Brandon for a pulse but can’t find one.
The group retreats into the house, where Kayla checks her phone but still has no reception. She grabs the landline, only to find it dead. Shane explains that storms sometimes take out the phone lines. Kayla and Chelsea insist on finding a way to reach the police, but their plan is derailed when they discover that the tires on both their cars have been slashed. Kayla panics, accusing Shane and Tim of being murderers. She runs away but slips and falls in the mud. Tim gathers her up and takes her back to the house, where Kayla insists on locking herself in a bedroom.
In the present, as Brooke arrives at work the next day, Marcus gives her forms to get the pressure-relieving mattress for Mr. Carpenter. She thanks him and then rushes off to check on Shane, who has still only asked for Tylenol for the pain. Shane has a shackle around his ankle attached to the end of the bed, which Marcus put on him the night before. Brooke asks Shane about his symptoms; she can see he is in pain by the way he winces during her neurological exam. She offers him something stronger than Tylenol, and he reluctantly agrees to take it. Before Brooke leaves his bedside, Shane begs Brooke to stay away from Tim.
In a flashback, Chelsea doesn’t want to leave Brandon out on the porch. Shane gets a blanket to cover him. Everyone says goodbye to Brandon, and then they retreat into the house. Chelsea wonders aloud if one of the boys could make it to the main road, but Shane says there might be downed power lines and it’s safer to stay in the house until first light.
Chelsea pulls Brooke out onto the back porch and expresses concern that Shane or Tim might be the killer. Brooke suggests it might have been a passing drifter. As Chelsea has a panic attack, Brooke calms her down and takes her back inside. Tim is there alone; Shane went out to try to get a signal on his cell phone. Tim and Brooke go into the kitchen, where he points out that all the knives are missing.
In the present, a month has passed. Tim has become a regular visitor at Brooke and Josh’s, fixing everything that needed it and building a bookshelf with Josh. Margie teases Brooke for having a boyfriend, but Brooke insists that she and Tim are just friends. Josh asks Brooke if Tim is his father and seems disappointed when Brooke tells him no.
One night, Tim arrives and Brooke is startled that he is wearing sandalwood aftershave. She makes him wash it off, reminding him that Shane wore the same aftershave the night he tried to kill her. Tim apologizes—the aftershave was a gift.
After dinner, Josh wants to play catch with Tim, but Brooke insists he do his homework first. Tim backs her up, and she enjoys having a partner when it comes to dealing with Josh. Tim goes into the kitchen to wash the dishes. Brooke teases him, and they kiss. Brooke backs away, but Tim confesses that he’s been in love with her since he was four and has never met another woman who measured up to her. Although Brooke can still hear Shane warning her, she decides to give an intimate relationship a try.
In a flashback, Brooke dismisses Tim’s concerns; she thinks Tim is accusing Shane of being the killer because of jealousy. Brooke asks Tim what he and Shane talked about when they first arrived, and Tim says he told Shane to treat Brooke right. Tim has a baseball bat—the only weapon he could find.
Shane comes back into the house and tells them he couldn’t get a signal. Chelsea suggests they go up and check on Kayla. When they knock, Kayla doesn’t answer. Shane opens the door, and they find Kayla on the bed, stabbed to death.
In the present, Brooke’s patient, Mr. Fanning, has a broken finger. She has it x-rayed and verifies it is a simple fracture. She immobilizes it with tape, the standard treatment. She asks Mr. Fanning how it happened but doesn’t believe his story of shutting his hand in a door. Brooke realizes that someone hurt him on purpose; she hears Mr. Fanning say under his breath, “Goddamn Nelson” (208).
Tim continues to be a regular visitor to Brooke and Josh’s, but he and Brooke hide their romantic relationship from Josh to protect him from a potential future breakup. Tim and Brooke have also exchanged keys for safety reasons.
One Saturday, Tim comes over with supplies to build a birdhouse with Josh. Tim has also brought an old yearbook, thinking it might be fun to show Josh what his mom looked like in high school. Brooke is concerned that Josh might see a picture of Shane, but Tim assures her that the school took out all pictures of Shane. She does find, however, a picture of Marcus Hunt. Tim tells her Marcus is the boy Shane and Brandon beat up and put into the hospital.
In a flashback, Kayla’s death clarifies that the killer is one of the teens. Tim and Shane accuse each other. Shane points out that Tim was alone inside the house when Chelsea and Brooke were out on the back porch, but Tim suggests Shane could have entered the room from a window. Chelsea freaks out and drags Brooke into Shane’s bedroom, insisting they barricade themselves inside. Brooke isn’t completely convinced, but she helps Chelsea stack books up against the door. Shane tries to convince them that they’re all safer if they stay together, but Tim tells Brooke to stay inside the room.
In the present, Brooke confronts Marcus. He tells her that he can do anything he wants to Shane, including putting him in isolation or having him beat up. Brooke is outraged and demands he keep his hands off Shane. Marcus turns on her, threatening to get her fired by telling Dorothy the truth about her connection with Shane. Marcus even confesses that he knows she’s dating Tim because he drove past her house and saw Tim leaving.
Dorothy scolds Brooke when the mattress for Mr. Carpenter arrives, accusing her of being too indulgent with her patients. Brooke counters by threatening to go to the press if Dorothy doesn’t allow Mr. Carpenter to have his mattress. She also demands that Dorothy stock the pharmacy with anesthetic for stitching wounds. Dorothy backs down and agrees.
It is Brooke’s birthday, so she and Tim are going out to dinner. Margie has agreed to stay with Josh. Tim has a gift for Brooke: a snowflake necklace just like the one he gave her when they were 10. Brooke is horrified: Shane choked her with that very necklace. Tim apologizes, claiming he forgot—but Brooke doesn’t believe him since he sat through all her testimony. He claims the necklace seemed like the perfect sentimental gift when he saw it at a flea market. The gift causes Brooke to question Tim’s true intentions, but he apologizes and promises to get her something better.
The book’s depiction of the murders borrows from the tropes of horror movies. The tension escalates as the teenagers discover their isolation in the farmhouse—there are no phones, the power is out, and their car tires have been slashed. There is a lot of character movement, as the survivors run up and down the stairs, go outside and come back in, and separate into smaller groups and come back together. The novel throws out many possible killers as the panicked teens speculate and point fingers. Brooke wonders if the killer might be a stranger, but this idea doesn’t really work in a novel with a mystery at its center: Having the killer be a character readers have not been introduced to would make for an unsatisfying solution. More important is the way Tim and Shane respond to what is happening. Shane appears to be the voice of reason, explaining the dangers of attempting to get to town on foot and pleading with Brooke and Chelsea to all stay together—suggestions that sound like he wants to protect everyone. Tim is also thinking practically, but his behavior is more proactive. He searches for ways to arm himself, thereby learning that there are no knives in the kitchen.
If the plot hasn’t grown tense enough, McFadden throws in a locked-room mystery: the murder of Kayla, who had shut herself up in a bedroom. Brandon’s murder took place while everyone was sleeping, so there was ample opportunity to get to him. But it is unclear who could have reached Kayla: Both Shane and Tim were alone for a significant amount of time. However, because the novel isn’t really about doing detective work, no one searches Kayla’s room for clues. If Shane had climbed in through the window, there would be rainwater and mud on the sill and floor; if Tim broke in from inside, the lock would show signs of force—but the novel is not interested in engaging even in this low level of investigation. Instead, because the novel’s genre is closer to horror, the scene revolves around Brooke’s fear and her mixed emotions about the two men in her life, playing into the theme of Distrusting Others and Oneself.
Tim’s actions in the present continue to throw up red flags. Tim wears sandalwood aftershave despite knowing that Brooke smelled the same scent that night at the farmhouse while she was being strangled. Then, Tim gives her a necklace like the one Shane used to strangle her. It is unclear why Tim would want to trigger Brooke’s memories of her trauma. Readers must decide whether Tim is simply thoughtless to the women in his life—as his secrecy around Tracy and Kelli suggests—or whether he is using Manipulation and Lies to stir up Brooke’s anxiety.
In parallel, warning signs keep coming up around Shane as well. Marcus reveals that Shane had something to do with the former nurse being arrested. Brooke also realizes that Shane has been lying about why Marcus has it in for him, refusing to confess that Marcus is the boy that Shane and Brandon put in the hospital. Finally, Brooke sees a patient with a fractured finger; when the man curses Shane’s name, Brooke realizes that Shane is violent toward the other prisoners.
The novel’s interest in Justice comes up in several scenes. Marcus tells Brooke that he can treat Shane however he wants—Marcus has the power to abuse prisoners with impunity, and he is willing to get Brooke fired to hold on to that power. This acceptance of power disparity also explains the disagreement between Brooke and her boss over the special medical mattress: Dorothy is annoyed at the idea of treating prison inmates well. The interaction’s resolution shows that when formal methods of justice fail, Brooke is willing to resort to the same tactics as the bullies around her. Taking a page from Marcus’s book, she threatens Dorothy with exposure—and the loss of her job—if Dorothy doesn’t let inmates have the medical care they need. This shows that Brooke can stand up for herself when she is pushed, a trait that will become important when she has to fight the killer to save herself and her son. At the same time, it showcases Brooke’s compassion for her patients, even when they are convicts.
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By Freida McFadden
Fear
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Horror, Thrillers, & Suspense
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Memory
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Mothers
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Mystery & Crime
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Psychological Fiction
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Romance
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Sexual Harassment & Violence
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Trust & Doubt
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