47 pages 1 hour read

The Wide Window

Fiction | Novel | Middle Grade | Published in 2000

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Chapters 5-8Chapter Summaries & Analyses

Chapter 5 Summary

Content Warning: This section of the guide includes discussion of death by suicide and death.

Violet calls Mr. Poe to tell him about Josephine’s apparent death, and then the children sit up all night waiting for his arrival in the morning. Klaus cannot stop thinking about all of the errors in Josephine’s note. Violet wants him to stop talking about it, thinking he is being insensitive, and the two argue briefly but quickly make up. When Klaus suggests that they forge a new note omitting any mention of Captain Sham, Sunny exclaims “Aha!” and her older siblings realize that Captain Sham must have forced Josephine to write her note (77). They believe that Captain Sham is the one who threw Josephine out the window. Mr. Poe arrives, and Violet tries to tell him what the siblings have concluded, but she finds herself overcome with tears. When Poe sees the children crying, he awkwardly puts down his briefcase and puts his arms around them, saying “There, there” (80). Snicket interrupts the narrative to comment that he wishes he could go back in time to this moment. He would tell the children that their tears are unnecessary, because Josephine is not really dead: not yet.

Chapter 6 Summary

Mr. Poe is skeptical about the children’s claims regarding Captain Sham and Josephine’s supposed death. He reminds them that they also thought that their Uncle Monty’s assistant, Stephano, was Count Olaf. Klaus points out that, in fact, Stephano was Count Olaf, but Mr. Poe does not see how this is relevant. He suggests that they find something else Josephine has written and compare the handwriting. They go into the kitchen to retrieve Josephine’s grocery list. Josephine’s handwriting is so distinctive that they immediately see that the note from the library door is definitely in Josephine’s handwriting. Mr. Poe tells them that this makes the note a legal document and they will have to go live with Captain Sham. The children say they will not go live with him, and Klaus threatens that they will run away. Mr. Poe is shocked. He sternly reminds them that their parents placed him in charge of looking after their welfare and tells them that refusing to do as he instructs would be like dishonoring their parents’ wishes. Mr. Poe goes out to call Captain Sham.

The children hope that they will have some time to figure out what Olaf has done, but Poe is soon back with the news that they are to meet Captain Sham for lunch in half an hour. “By tonight you should be staying in his house,” he tells them. “I’m sure you’re relieved” (91). He tells the children to put their coats on while he calls a taxi, as it is cold and windy out and he believes a storm is approaching. Once he is out of the room, Klaus tells his siblings that he has noticed something new about the errors in Josephine’s note. He has not yet figured out what it all means, however; he needs more time. He asks Violet to come up with a way to buy them some time. As Violet puts on her coat, she realizes she knows how to do just that.

Chapter 7 Summary

The children, Mr. Poe, and Captain Sham meet at a restaurant called the Anxious Clown. Sham tries to get Poe to share a bottle of wine with him, in celebration of what he calls his “three new children” (96). Poe refuses to drink during banking hours and points out that celebrating in front of the children, who are mourning the loss of their aunt, is insensitive. Sham feigns sadness and claims that Josephine was one of his oldest friends. Klaus points out that the two actually met only the day before, but Sham claims that he actually knew Josephine already, from his days in cooking school. When he mentions their supposed baking course, Violet says that this is impossible, as Josephine would never be in a class where she had to use an oven. Sham persists with his lie, ignoring Violet. Poe mentions the paperwork that they will need to complete after lunch, clarifying that although Sham will have physical custody of the Baudelaires, Poe will continue as the trustee of their fortune, which the children will inherit when Violet turns 18. Sham pretends to know nothing about the money and disclaims any interest in money.

When their food arrives, Violet surreptitiously unwraps three peppermints from the bag still in her coat pocket. She slips one to each of her siblings, and, after thinking about it for a moment, they realize what her plan is. Violet, Sunny, and Klaus each eat a peppermint; their allergic reactions are swift, and when Mr. Poe becomes alarmed at the hives and swelling the children experience, Violet says that they should go home and lie down immediately. She suggests that they take a taxi home so that Poe can remain at the restaurant to finish the paperwork with Sham. Poe agrees, and the children head out into the increasingly stormy-looking afternoon.

Chapter 8 Summary

Back at Josephine’s house, Violet struggles to understand what Klaus is trying to say, as his tongue is quite swollen. She tells him to work on whatever he is trying to figure out while she gives herself and Sunny a bath to help with their itchy hives. Klaus takes Josephine’s note back to the library and chooses some grammar books to consult. The approaching hurricane makes the room cold and wet, as the rising wind drives rain in through the broken window. When Violet and Sunny enter the library a little while later, Klaus has solved his puzzle: The errors in Josephine’s note are deliberate, each one highlighting a different letter. When put together in order, the letters spell out “Curdled Cave” (115). A sudden, powerful gust of wind blows into the library, sending furniture and books flying. The children run into the hallway and slam the library door behind them.

Violet tells them that she believes Josephine is alive, hiding in one of the caves on Lake Lachrymose. They need to find the books on Lake Lachrymose that Josephine hid away after Ike’s death. All three remember, when they were younger, hiding things under their beds, and so they decide to check under Josephine’s bed. They find a large collection of things hidden there so that the fearful Josephine does not have to look at them: pots and pans, ugly socks, and a picture of Ike. Behind all of this, they find books on Lake Lachrymose. As lightning flashes outside the window, they consult an atlas of the lake. They locate Curdled Cave across from Damocles Dock and realize that they can get close to the cave using the ferry. Despite the terrible storm outside, they decide they have to get to the cave—locating Josephine alive will prevent their being taken into Sham’s custody. Klaus sees through the window that one of the stilts holding the house up on the edge of the cliff has been struck by lightning. The whole house shakes, and the children flee out into the storm as the house crumbles and slides down the cliff into Lake Lachrymose.

Chapters 5-8 Analysis

In the rising action of Chapters 5-8, Handler uses foreshadowing to increase dramatic tension and suspense, propelling the narrative forward toward the climactic moment when the children escape the crumbling house just before it tumbles down into the lake below. For example, at the end of Chapter 6, Violet realizes as she buttons her coat that she knows how to buy herself and her siblings some time before they are transferred into Sham’s custody, subtly foreshadowing her use of the peppermints in her coat to create an allergic reaction. Snicket’s intrusion at the end of Chapter 5, in which he wishes to go back in time and speak to the grieving Baudelaires and reveal that Josephine is still alive represents an example of dramatic irony in which narrator explicitly lets the reader in on future plot events of which the characters themselves are unaware. Snicket adds the ominous words “Not yet” to his assertion that Josephine is not dead, foreshadowing Josephine’s actual death and creating tension around the question of how and when she will actually die.

The steadily rising storm provides an ongoing threat to the Baudelaires, raising the stakes of the plot. Handler first introduces the possibility of a hurricane in Chapter 1, but now, in Chapters 6 and 7, it becomes clear that a serious storm is actually on its way. In Chapter 8, the storm finally erupts parallel to the climax, creating chaos and danger around the children’s fight to flee the house before it slides dramatically down the cliff and shatters into the lake below. The tense diction Snicket uses to depict this climactic moment heightens its drama. He describes the way the children “screamed” as they attempt to make themselves heard over the storm, the “feverish pitch” of the wind, and the way the house begins to “lurch” (124-26). Vivid images and repetition also help convey the drama of the scene: the “horrible, horrible crunching sound” followed by a “rough and earsplitting noise” as the house collapses and falls “down, down down” into “the dark and stormy waters of the lake below” (126-27).

The Baudelaire children silently watch this devastating scene, hugging one another tightly—the third time in a matter of hours that they’ve had to depend on one another to survive a serious difficulty—underscores the novel’s thematic interest in Bearing Up Under the Burden of Grief and Loss. In Chapter 5, following the news of Josephine’s supposed death, the Baudelaires sit up all night together, trying to work out a plan and sharing their grief over the loss. Handler emphasizes their solidarity as a family as a key factor in the Baudelaires’ ability to survive their many trials. For example, in Chapter 6 when Violent hands Sunny and Klaus peppermint candies to which they are all allergic, they immediately trust her judgment and intuit her plan. Now, in Chapter 8, they flee as one from the collapsing house and huddle together in the storm as their most recent home tumbles from the cliff into Lake Lachrymose.

As characters, the Baudelaire children consistently epitomize Handler’s thematic exploration of The Necessity of Confronting One’s Fears. Violent, Sunny, and Klaus face horror after horror, and yet they never turn away and try to pretend their troubles are not real, showing true courage and determination again and again. For example, Klaus steadily works at solving the mystery of Josephine’s note despite the fact that none of the adults in their life believe them. By contrast, the collection of objects underneath Josephine’s bed in Chapter 8 provides a symbolic representation of Josephine’s failure to confront her fears. The contrast between the Baudelaires’ courage and Josephine’s cowardice explains why, despite the fact that Josephine is an adult and the Baudelaires are still children, it is the Baudelaires who end up having to attempt a rescue of Josephine, not the other way around.

Violet, Klaus, and Sunny’s capacity for finding their own way out of terrible situations demonstrates The Resilience and Resourcefulness of Children in the Face of Adult Failures. Across the series, Mr. Poe provides a key example of the dire consequences of the adult tendency to disregard or disbelieve children. In Chapter 6, Mr. Poe’s illogical obtuseness and stubborn refusal to accept what the children are telling him about Olaf reiterate the reality that the Baudelaires cannot count on the adults around them. Over and over, Poe shows that his main objective is to deal with the children efficiently rather than effectively. When the children strenuously object to being in Sham’s care, Poe manipulates them into silence by invoking their dead parents’ feelings instead of hearing them out. He arranges for an almost immediate transfer of custody to Sham—and, despite the children’s earlier objections, assumes that they are as pleased as he is to have it all “sorted out so quickly” (91). At the restaurant, he chooses to stay behind and finish his meal rather than escort the obviously ill Baudelaires back home. The failure of both Josephine and Poe to protect and care for the Baudelaires in any meaningful way leaves the children even more dependent on their own resourcefulness.

blurred text
blurred text
blurred text
blurred text
Unlock IconUnlock all 47 pages of this Study Guide

Plus, gain access to 9,150+ more expert-written Study Guides.

Including features:

+ Mobile App
+ Printable PDF
+ Literary AI Tools