63 pages • 2 hours read

The Wife Upstairs

Fiction | Novel | Adult | Published in 2020

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Themes

The Psychological and Physical Dangers of Isolation

Content Warning: This section of the guide includes discussion of death, physical abuse, and emotional abuse.

Isolation is a key idea throughout The Wife Upstairs. McFadden explores two types of isolation: emotional and physical. Emotional isolation plays a role in the character dynamics between Sylvia, Adam, and Victoria. Sylvia feels empathy at first for Adam’s perceived isolation, even when Adam starts making romantic advances toward her. However, because of her role as Victoria’s caregiver, Sylvia rejects him, thinking about the ethics of the situation: “I get that he feels lonely. […] Victoria isn’t capable of even a simple conversation anymore. And I can see why he feels having sex with her would be an ethical gray area. But me having sex with him while he’s still married to her? That’s not a gray area” (179). Sylvia exhibits empathy for Adam’s situation, understanding the degree to which his role as Victoria’s caregiver isolates him.

However, Sylvia’s perception of Adam’s emotional isolation is based on his deception. He is not abstaining from intimacy with Victoria because of his ethical concerns but because he hates her and tried to kill her. Victoria is physically isolated from those who could help her because of Adam, who murdered Mack. Before the revelation of Mack’s murder in the diary, Sylvia speculates about why he never followed through on his offer to save Victoria, wondering, “Why didn’t he come back for her? Or did he come back and she had changed her mind about leaving? Or maybe something else happened before she could go” (311). Immediately following this interior monologue, Sylvia notices that the predicted snowstorm has arrived. The blizzard will soon shut off the power and close the roads, leaving Sylvia as isolated in the house with Adam as Victoria was just before the “accident” that left her paralyzed. McFadden places Sylvia’s concerns about Victoria’s past physical isolation alongside Sylvia’s own experience with physical isolation during the blizzard. She questions how Victoria became isolated while becoming isolated herself.

Sylvia begins to experience the panic and anxiety that stems from being trapped, much as Victoria did during the days before her supposed accident. When Adam jokes about being trapped in the snow with Sylvia, she’s immediately stressed, thinking, “There’s a teasing tone in his voice, but again, I feel uneasy. I don’t like the idea of being trapped here with him for two days” (335). Unlike the first storm, which Sylvia found almost romantic, the blizzard is a bad omen. It’s a physical manifestation of the dangerous isolation that threatened Victoria in the past, when she was trapped in the snow, and now threatens Sylvia, who also cannot escape in Victoria’s two-wheel drive car. The women are linked by their fear and anxiety, isolated in a house with a man who has murderous intentions.

The Insidious Nature of Psychological Abuse

Adam’s relationship with Victoria is predicated on manipulation that gradually escalated into psychological abuse, as he cut her off from her community, undermined her self-esteem, and robbed her of agency. While everything seemed too good to be true to Victoria after their first few dates, things shifted intensely after she moved in with Adam. Adam used money as a means of control, demanding that they split all their groceries and toiletry items and berating Victoria for using his toothpaste: “So in a nutshell, you’re not capable of respecting my things. Even though I’m letting you live in my apartment rent-free” (164). Adam made sure to maintain strict ownership of the apartment in order to make Victoria feel like a guest and limit her agency in the place she called her home. However, after the initial fight over toothpaste, which gave Victoria doubts about the relationship, Adam appeared to change for a time, with Victoria noting, “He even bought a new toothpaste and he said it was for the two of us. We’re finally sharing toothpaste! It’s like the fear of losing me turned him into a different person” (201). This pattern, with incidents of abuse followed by periods of apparent reform, is characteristic of abusive relationships. Adam pretended to be different in order to keep Victoria in his life, but his manipulative behavior had already seeped into Victoria’s subconscious.

When Adam asked to talk to Victoria after one of her emergency-room shifts, her reaction was emotionally visceral: “I immediately got a sick feeling in the pit of my stomach. I must have done something wrong” (214). Before even knowing what the problem was, she immediately assumed that she was to blame, illustrating the degree to which she had internalized Adam's abuse by this point. His controlling behavior became so extreme that he cut Victoria off from money by withholding her credit card after she asked to take a class, insisting that she “only wanted to take the class to meet men” (271). His jealousy and need for control had the effect of isolating Victoria from any community that might have helped her.

Adam’s jealous delusions are a key aspect of his character and a form of projection: Despite his own infidelity, he constantly suspected Victoria of cheating on him, displaying the paranoia of which he accused Victoria. He even gaslit her into thinking that she imagined him being in Irina’s room in the middle of the night, with Victoria writing, “One minute ago, I had been a hundred percent certain about what I heard. But now I was doubting myself. He looked so earnest. Maybe I really did dream it all. It’s certainly possible. Because nobody is that good a liar, are they?” (286). Adam’s manipulative character makes him a clear antagonist in both Victoria’s storyline and Sylvia’s, even though in both storylines, he initially appears to be a romantic option. Throughout the entirety of the text, he manipulates Victoria and eventually Sylvia in an attempt to make reality adhere to his desired outcomes.

The Contrast Between Appearance and Reality

Reality is a slippery notion in The Wife Upstairs. The dichotomy between the public perception of the Barnetts’ life and their private reality is essential to the unfolding of the numerous mysteries that McFadden constructs. The main mystery is about what happened to Victoria and what Victoria knows. Publicly, Adam appears to be a doting husband. Even Maggie, who works in the house and is in close proximity to the Barnetts, is fooled. When discussing Adam, Maggie says to Sylvia, “He’s got to be pretty lonely. He’s a good guy and he’s got good intentions, but this can’t go on indefinitely. Eventually, he’s going to move on” (72). Instead of expressing sympathy for Victoria’s potential loneliness or her suffering after the accident, Maggie fixates on how the accident impacts Adam while complimenting him for taking care of his wife—the wife he pushed down the stairs.

Even Sylvia herself initially sees Adam as the perfect husband. Though Victoria begs her to read her diary, Sylvia at first hesitates to do so, as she finds the adoration of Adam tiring. She thinks, “I mean, [Victoria] loves the guy—I get it. I don’t need page after page of how wonderful he is, how good he kisses, blah blah blah. Frankly, given my silly crush on him, it’s a bit frustrating” (123). Sylvia initially has a crush on Adam because of the persona that he adopts, the same persona that lured in Victoria. In Victoria’s early diary entries, she describes how she sees him through her eyes—that is, she sees him as he chooses to present himself.

The first entries of the diary praise Adam for being the ideal partner, but as Sylvia reads more, she starts to see the red flags of Adam’s anger problem. The perception that Adam projects starts to blend with the private reality that Victoria witnessed, and Sylvia grows concerned about Adam, expecting him to snap at her: “I brace myself. […] Of course, Adam has never yelled at me for anything. If I didn’t read Victoria’s diary, I would think he’s the most mild-mannered guy I’ve ever met” (267). Sylvia succinctly describes the difference between the Adam presented in the diary and the Adam living alongside her. The diary presents Adam as a violent megalomaniac, but his behavior toward Sylvia presents him as a friendly if flirtatious employer. However, the diary soon reveals the darkest truth that Sylvia comes to suspect: “I’m scared to see what else he did to her. Maybe she didn’t really fall down the stairs. Maybe he pushed her” (278). Sylvia’s private reality merges with Victoria’s when Adam tries to kill her but fails. His carefully constructed image falls apart, leaving him in prison for murder.

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