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Content Warning: This section of the guide includes discussion of suicidal ideation, physical and emotional abuse, sexual content, cursing, and illness.
When Hudson returns to Allie’s house after returning June to school, Anne confronts him. She is angry that he took June away so quickly and asks questions about her happiness and well-being. Hudson tells Anne that June is happy. Anne then tells Allie that she has to pretend to be Hudson’s girlfriend and go to the party. She desperately wants to be part of June’s life and sees this as the only way to make Caroline agree.
Hudson insists that they can’t force Allie to go to the party. Allie tells Anne that they should respect Lina’s wishes but finally agrees to go to the party to satisfy Anne. After Allie goes upstairs, Hudson asks Anne why Allie always looks exhausted.
Anne admits that Allie is depressed but is seeing a therapist and is getting back into training. She warns Hudson to be careful with Allie. She knows that he is partially doing this to get Allie to forgive him but is adamant that he can’t hurt her all over again. She threatens to tell Allie a secret she has kept for 10 years: She saw Hudson secretly talking with Lina before the Classic, on the morning of their car accident.
That Saturday, Caroline frantically prepares for June’s birthday party. When she mentions 59 guests, Gavin tells her that Hudson is bringing a date. Hudson tells Caroline and his parents about Allie, and they all seem surprised. Caroline is annoyed because Allie is a Rousseau, insisting that Hudson is making a mistake .
When Allie arrives, Hudson is awed by how beautiful she looks. He thinks of how this scene should have happened 10 years earlier. Allie fakes a smile, but Hudson immediately hugs her. He can tell by her reaction that she is attracted to him. He tells himself that he is going to use the summer to reconnect with her. However, Caroline interrupts their hug by angrily asking Allie why she is dating Hudson.
Hudson dismisses Caroline, whose confrontational attitude makes Allie immediately uncomfortable. However, Allie reminds herself that this is the first time she has dressed up in months, and she is going to do her best for June.
Allie sets ground rules for Hudson about their pretend relationship. She does not want him to touch her unless it’s in public and part of the ruse. She also wants him to stay single because she does not want to hurt any other girl. In return, Hudson makes her promise to always be honest with him.
During lunch, Caroline sits with Hudson and Allie. She quizzes them about their relationship and insists that it is weird they’re dating. Hudson tells her Allie’s favorite movie, favorite color, and where she prefers to buy her ballet gear. Allie is shocked that he remembers so much about her after all these years, and it helps to stitch up the wound from his abandonment, even if it doesn’t heal it.
June gets angry at how rude Caroline is being. She reveals that Hudson and Allie have known each other for years, throws the picture of them on the table, and storms away. Allie decides to leave, partially because Caroline clearly hates her, but mostly because of how it is upsetting June instead of helping her.
At home, Anne asks Allie how the party went. She admits that Caroline hates their family, and she wonders if they’re doing the right thing. Allie and Anne both wish they knew what Lina would want.
Allie wakes up the next morning. The first thing she thinks about is Hudson, then scolds herself for it. She checks her phone and has messages from Eva, who thinks that she should post a video on social media to show that she is healing. She also sends a link to a video of another dancer showing Allie’s Giselle performance and talking about her injury. The comments below are vicious: Some talk about how she should be replaced, others talk about how her physique wasn’t good enough for the performance, and others speculate about whether she’ll ever come back.
Allie goes into the ballet studio to practice. She is upset that Eva sent her the video, but it also motivates her to start working harder. Anne comes in and immediately starts questioning Allie about how hard she is training, but Allie insists she is being careful.
Anne then shows Allie some photos that she found in their mother’s room, from the time just before June was born. Lina and Sophie were supposedly in San Francisco for a ballet performance. There is a photo of them outside the studio in full winter gear, which hides Lina’s pregnant stomach. Their mom told them the photo was from after Lina’s performance; however, when they check the playbill, Lina is not listed. They realize that their mother knew about Lina’s pregnancy and, therefore, the adoption.
Allie and Anne go to see Sophie at the Brookesfield Institute. Her assistant Rachel leads them into Sophie’s office, reminding them that their mother has class in 20 minutes. Their mother is painting a picture of a ballet dancer.
When Allie tries to speak with her, her mother shouts out numbers of ballet positions. Annoyed, Allie complies with each one while she tries to start a conversation with her mother; however, Sophie completely ignores everything Allie says.
When Anne speaks, Sophie is more responsive, so Anne tells her that Allie is dating Hudson. They are hoping to get a reaction that will show that Sophie knows about June, but their mother gives the same answer she did 10 years ago when she found out about Allie and Hudson: “that boy is like the river. Pretty to look at, but we don’t swim there” (146).
Anne decides to confront her mother directly about Lina. She shows Sophie the photo from San Francisco and asks if Lina was pregnant. However, her mother ignores them, continuing to paint. Each time Allie tries to talk, her mother demands she get into a different position. Allie realizes they are not going to learn anything.
Rachel comes back into the room and tells them that their mother has class. Allie again asks about Lina, but her mother demands that she get into “relevé” position. Allie admits that she can’t because of her ankle. Her mother grows angry and throws the cup of water with her paint brush in it at Allie. It falls short, but splatters paint all over Allie’s shoes and pants. Appalled, Rachel gives Allie a rag and apologizes, but Allie insists that it’s nothing new. Sophie says that Allie should have died instead of Lina, and Allie responds that some days, she agrees.
Hudson has Allie over for a beach day with his family. He is immediately nervous when June forces him, Allie, and Caroline to build a sandcastle together. However, he is surprised when Caroline and Allie briefly bond over their all-consuming careers, Allie’s with the ballet and Caroline’s ownership of her café. Recognizing that things are going well, Hudson playfully grabs Allie and pulls her away before that can change. He carries her to the ocean and threatens to throw her into the water as they flirt with each other.
Hudson goes for a swim, and when he goes back up to the beach, Allie isn’t there. June tells him that she went to get her phone out of Hudson’s car and June’s hat out of Gavin’s car. When Allie comes back, she seems distant, but Hudson dismisses it.
The rest of the day goes well, as they eat dinner and talk with Hudson’s family. While waiting for Allie on the deck, Caroline comes up to him. She tells him that she gave Allie a shot, but Hudson can’t date her.
Allie thinks of how good the day was. She did not think about ballet once and was able to get her interaction with her mother out of her head.
She overhears Hudson and Caroline talking. Caroline explains that she actually likes Allie and can even get over the fact that she is a Rousseau, but she can tell that Allie doesn’t like him. She points out that Allie never touches him first or smiles and that he initiates everything with her.
Allie gets angry as she listens. She is failing Hudson, June, and even Anne, just as she failed her mother. She goes around the corner to interrupt Caroline and Hudson. She kisses him—their first kiss ever—as Caroline says goodbye and leaves.
Hudson pulls Allie into the shower room. He tells her that he wants five minutes of honesty from her and sets a timer on his phone. He says that she can leave if she wants, but she stays. He tells her that he wants a new “first kiss,” and she admits that she does, too. They kiss for several minutes. Allie thinks of how amazing it is to not hide her feelings or feel guarded, and how the kiss is better than any she has ever had before. However, she is reminded of how he abandoned her 10 years ago and stops him just as the five-minute timer goes off. She says that she is still hurt by what he did to her, and he apologizes profusely.
Hudson drives Allie home in silence. When they get there, she assures him that she will still continue to pretend to date him for June’s sake. She struggles to get inside without breaking down. Once she’s in the door, she realizes Kenna is there as she begins to cry.
One key component of Allie’s character is her inability to find balance between her professional ballet career and her personal life. When she loses the ability to perform, she becomes depressed and feels lost, largely due to her uncertainty about what to replace it with. However, thanks to Hudson, she finds relief from the pressures of ballet and a distraction from her thoughts. She notes how, with Hudson’s family, she “hadn’t thought about ballet,” or “dwelled on the speed of [her] recovery, or stressed that someone was vying for [her] place, or worried that Vasily might not showcase [their] ballet” (166-67). These reflections further develop the theme of The Balance Between Personal and Professional Dreams: While Allie has been so focused on her ballet career for her entire life, she has failed to acknowledge her own personal desires. Even her personal life—her friendship with Kenna, her mother, and her sisters—entirely revolves around her ballet career.
Both times in Allie’s life when she has found relief, now and a decade ago when she spent two summers with Hudson, have revolved around her relationship with him. In this way, their love introduces the theme of The Power of Love to Heal and Transform. Hudson is the one person in Allie’s life who recognizes how much stress Allie’s injury is putting on her, illustrated by his demands that Anne tell him what Allie is going through. His recognition of what she is going through is a reflection of his love, as is his encouragement to explore who she is as a person outside of ballet. Ultimately, what Hudson is advocating for is for Allie to find some balance and resolve the balance between personal and professional dreams. By doing something as simple as inviting her to June’s birthday party, Hudson helps Allie develop the personal side of her life.
In these chapters, however, Allie also faces setbacks in her recovery, one of which is her interaction with social media. While Allie attempts to recover from her injury, she makes the mistake of allowing herself to watch video responses to her social media account and read the comments. She acknowledges that she is being a “masochist” by reading what people are saying about her, seeing comments about how she should “get out of the way for a corps member” to take her place and how she “looks a little out of shape” in her Giselle performance (135). With these scenes, the narrative highlights social media’s role in The Pressures of Athletic Excellence. In addition to the pressure that she faces from her family, she also has to deal with the comments, insights, and expectations from her fans in the ballet industry.
The motif of “five minutes” appears in this section of the text to further explore the realities of Allie and Hudson’s relationship. When Hudson saves Allie as a child, he reassures Allie and Eva that he can swim without a life vest, telling them that “anything is doable for five minutes” (9). Then, when Allie and Hudson kiss for the first time, he pulls her into the shower room and tells her that he just wants “five minutes where [they] don’t pretend” and instead have an honest conversation about their feelings for each other (172-73). When they do so, they are physically intimate for the full five minutes, acknowledging and acting on their feelings for each other for the first time. This motif, which the novel will revisit in different situations throughout the text, conveys the complexity of their situation. While they are both dealing with their personal versus professional dreams—their love for each other, and the pressure that Allie’s career puts on them—the idea of “five minutes” gives them reprieve. While it takes them out of their comfortable lives and forces them to briefly do something different, it also allows them both to explore how they truly feel about each other.
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By Rebecca Yarros