56 pages 1 hour read

When the World Tips Over

Fiction | Novel | YA | Published in 2024

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Part 1Chapter Summaries & Analyses

Part 1, Chapter 1 Summary: “Dizzy: Encounter #1 with the Rainbow-Haired Girl”

Content Warning: This section of the guide includes references to mental illness, and substance use.

Dizzy Fall, 12, is hurt by a recent break with her best friend, Lizard. Dizzy longs to have a sexual awakening like she’s read about in a romance novel her mother has, Live Forever Now. After a classmate picks on her, Dizzy runs away from her middle school. The town of Paradise Springs is quiet and empty during the heat waves. Dizzy steps out in front of an 18-wheeler, when suddenly a girl, “bright and shining,” a “shooting star of a girl” (9) with rainbow-colored hair, tosses her out of the way. Dizzy is glad she’s not a ghost like the ones she sees in the vineyard. When the girl bops Dizzy on the nose, “[a]ll Dizzy’s panic and uncertainty about everything had vanished” (11).

Part 1, Chapter 2 Summary: “Dizzy”

Dizzy tries to tell her brother, Perfect Miles, that she met an angel. Dizzy loves her older brother, Wynton, whom she let sneak into the house even though Chef Mom—the name they use for their mother, who works as a chef—kicked him out for crashing her truck and getting thrown in jail. Dizzy doesn’t understand Miles, even though she reads his notes to himself and sometimes hears him crying in his sleep. Her Uncle Clive has an unkempt appearance, and her mother has warned her to avoid him when he is drinking. Clive tells Dizzy that he dreamed that Wynton lost his music. Clive is the brother of Dizzy’s father, Theo Fall. The family vineyard was once famous but now is rented out. Dizzy sees the kissing ghosts who inhabit the vineyard. Excerpts from the Paradise Springs Gazette describe the occasion of Theo Fall’s resurrection and subsequent disappearance.

Part 1, Chapter 3 Summary: “Dizzy”

Dizzy’s mom writes letters that she never sends, something she began doing after her brother, Christophe, died when she was young. Chef Mom makes dinner for Dizzy’s father every night. Chef Mom is beautiful, “big and flashy” (22). Dizzy tries to tell her mom she saw an angel, but Chef Mom is on the phone talking about her new sauté cook, Felix. Chef Mom’s parents are French and Jewish. Wynton, who is not supposed to be in the house, comes downstairs. He gives back the engagement ring he stole from his mother. Wynton traded his motorcycle for a new violin bow because he wants to impress someone coming to hear him. Miles breaks the bow. Letters at the end of the chapter include Dizzy’s last will and testament and letters from Bernadette to Dizzy and Theo. She tells Theo she misses him.

Part 1, Chapter 4 Summary: “Miles: Encounter #2 with the Rainbow-Haired Girl”

Miles has run away from his prep school, where he has an athletic scholarship, and has been hiding this fact from his mother. He has a crush on a boy at school. Miles speaks telepathically with the neighbor’s black lab, Sandro. Sandro feels that his life is empty since his beloved, Beauty, left. Several weeks ago, Miles had his first kiss in the walk-in refrigerator at his mother’s restaurant with Nico, a cook. Miles wants to be in love like Samantha Brooksweather from his mother’s romance novel. Miles’s version of synesthesia is to associate colors with words.

Beside the vineyard, Miles finds a girl with curly rainbow-colored hair and several tattoos sleeping in an orange pickup truck. There are books all over the truck’s seat. The girl wakes up, startled, and Miles teases her about reading Steinbeck. He asks about one of her tattoos, which she says is from Joseph Campbell: “If the path before you is clear, you’re probably on someone else’s” (45). As she drives away, Miles runs after her. Excerpts at the end of the chapter capture Miles’ jotted notes, imagined conversations, and a call to a depression hotline, as well as Bernadette’s notes to Miles and her sous chef, Finn.

Part 1, Chapter 5 Summary: “Miles”

Miles and Sandro join the girl in the truck. She smells like flowers, and Sandro thinks she smells familiar. Miles and the girl discuss books and he finds himself confessing to her about the mean things Wynton has done to him. Two weeks ago, Wynton invited Miles out with him and some friends, and Miles believes he was drugged. He remembers drinking, being groped by a girl named Madison, and waking up in a dumpster. Miles wishes Wynton would love him. He searches for his father online and writes him emails. With the rainbow-haired girl, Miles “felt transformed, like light was seeping into him instead of out of him” (62). He feels as if his spirit is vibrating and he’s coming back to life. They arrive at Jeremiah Falls. Miles realizes his attraction to her is more spiritual than sexual, and she reveals that she can hear Miles and Sandro talking.

Part 1, Chapter 6 Summary: “Miles”

Both Sandro and Miles feel invigorated after meeting the rainbow-haired girl. An excerpt from a 1956 novel suggests that the town of Paradise Springs has the ability to disappear. The Gazette discusses the Devil Winds. Miles writes emails to his father. Bernadette is trying to figure out the recipe to a chocolate cake.

Part 1, Chapter 7 Summary: “Wynton: Encounter #3 with the Rainbow-Haired Girl”

Wynton still hears his father playing trumpet. Once, when he was 13, he followed the sound to a meadow where he found a girl, crying. He talked to her and fell in love. Wynton’s father, Theo, put his trumpet in bed with Wynton on the night he left. A band from Los Angeles is coming to scout Wynton, and Wynton is desperate to play his best. Wynton feels hungry to experience everything, thinking, “They were all just paper people in a burning world” (74). Wynton is nervous. After Miles breaks his bow, Wynton breaks into his violin teacher’s house and steals a bow. Wynton adores his sister, who he thinks is beautiful on the inside, like a geode. By contrast, he thinks of himself as ugly both inside and out, believing that even dogs dislike him because they can see “all the way to his ugly soul” (77). Wynton keeps waiting for his father to come back. He meets Doc Larry and talks with Dave Caputo, a sad old guy who has lost his family. A crime report from the Gazette reports that Wynton collided with and destroyed the town’s statue of Alonso Fall, and Bernadette’s letters bemoan Wynton’s fragility, Clive’s drinking, and the loss of her brother, Christophe.

Part 1, Chapter 8 Summary: “Wynton”

Wynton’s playing amazes the people in the bar. He wears sunglasses because playing makes him cry. He doesn’t see the people from the band who were supposed to come hear him. He feels high from the pills he’s been taking and has sex with a girl named Dawn.

Part 1, Chapter 9 Summary: “Wynton”

Wynton gets beat up by Dawn’s boyfriend and then drives toward home. He feels he is “in the wrong tempo, the wrong key” (89). He stops to play music in the middle of the road, and the rainbow-haired girl approaches him. She says her name is Cassidy, and he realizes that she’s the girl from the meadow. Wynton tells her, “No one comes back for me” (91) but she says she did. They dance in the road, and Wynton feels a part of himself unfolding. Cassidy tries to pull him off the road, but then a car comes out of nowhere and hits Wynton. The transcript of the call to 911 includes Cassidy saying that Wynton is important to her.

Part 1 Analysis

In establishing the world of the story, Part 1 also introduces several mysteries and solves one: the name, if not the identity, of the girl with the rainbow-colored hair. When Cassidy enters the lives of the Fall siblings, she begins a process of transformation for each of them independently and for the family as a whole.

The members of the Fall family are all hurt and lost in their own ways, but while direct narration explores the situations of the siblings, it is through the other assorted documents that the reader learns that Bernadette, or Chef Mom, still desperately misses her husband. Theo’s absence is an enduring presence in the lives of those who knew him; he made such an impact on the town that people still imagine they see him in the vicinity. The mystery of what caused his apparent death, resurrection, and departure establish suspense around a story question that will remain in the background through subsequent chapters. The wounds left by Theo’s departure illustrate The Effects of Parental Abandonment and are symbolized in the vineyards—a once-legendary family enterprise now rented to other farmers and drying up in the heat. The decline of the vineyards further represents the tormented state of the family’s lives.

The narrative chapters that take turns introducing the internal conflict of the three Fall siblings point to their similar fears and concerns around rejection, abandonment, fulfillment, and love. Dizzy feels abandoned after what she thinks of as her divorce from her best friend, Lizard (who now goes by his real name, Tristan). Miles is lonely, frightened to admit he is gay, and falling apart after the night with Wynton that ended up with Miles in a dumpster and Wynton supposedly crashing their mom’s truck into the statue of Alonso Fall—a physical symbol of the way the family is coming apart. And Wynton, though he has an astonishing musical talent, feels restless and unfulfilled. Each of them craves the peace, understanding, and connection that the rainbow-haired girl seems to offer. Cassidy’s associations with light, color, and flowers symbolize the vibrant, life-giving qualities of her character, while the words of her tattoos hint at themes like destiny, love, and mythic quests, all foreshadowing the emotional journey the siblings are about to undertake.

Nelson’s prose bursts with vivid imagery, beginning with the Devil Winds causing the arid heat afflicting the town of Paradise Springs—a reference to the Diablo winds common to California's San Francisco Bay Area. The town itself seems to hold some magical properties, as hinted at by the novel excerpt that describes the town’s ability to disappear, as if it were a mythical locale. The contrast between the name of the town—Paradise Springs—and that of the Devil Winds represents the opposing sides of California as presented in the novel: the myth of a utopian promised land and the reality of a largely arid landscape whose climatic extremes make it challenging to live in. The setting is firmly contemporary, and so are the conflicts of the major characters, concerned with the longing for connection and finding a place in the world. But these hints at a mythical background and heritage add notes of magical realism to the setting and tone of the story. Furthermore, Nelson’s sensory details and vivid metaphors add to the emotional intensity. Dizzy feels “buzzy;” Miles feels that he is shrinking until Cassidy brings him back to life; and Wynton feels that he is unfolding when he dances with Cassidy on the dark road. The question of why Cassidy feels that Wynton is important, and what will be the result of Wynton’s injuries, are cliffhangers that aim to compel the reader on to Part 2.

The novel’s exploration of Healing Intergenerational Trauma unfolds against the backdrop of a California both mythical and frustratingly real. Allusions to John Steinbeck’s novels East of Eden (1952) and The Grapes of Wrath (1939) evoke an earlier period in California’s history, pointing toward the state’s longstanding role in the American imagination as a place of both promise and disappointment. Further allusions include Cassidy’s tattoo about life’s path, which draws on the work of Joseph Campbell, author of such works as The Hero With a Thousand Faces (1949) and The Power of Myth (1991), which explore the meaning of mythological narratives. The allusion to poet Walt Whitman, author of, among other much-studied works, the collection Leaves of Grass (1855), brings in another writer known for his seminal place in the canon of American literature as well as his investigations into the human heart. Though the conflicts of the Fall family feel small and distinct, they are situated within a broader canvas, not only a setting haloed by myth but also a larger investigation into human experience that the best literature undertakes.

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